“I can’t speak for the dead. As for myself, I can assure you that my conduct was dictated by necessity and by the sense of—well—retributive justice.”
“Good, that,” he said to himself, while her eyes rested upon him, black and impenetrable like the mental caverns where revolutionary thought should sit plotting the violent way of its dream of changes. As if anything could be changed! In this world of men nothing can be changed—neither happiness nor misery. They can only be displaced at the cost of corrupted consciences and broken lives—a futile game for arrogant philosophers and sanguinary triflers. Those thoughts darted through Razumov’s head while he stood facing the old revolutionary hand, the respected, trusted, and influential Sophia Antonovna, whose word had such a weight in the “active” section of every party. She was much more representative than the great Peter Ivanovitch. Stripped of rhetoric, mysticism, and theories, she was the true spirit of destructive revolution. And she was the personal adversary he had to meet. It gave him a feeling of triumphant pleasure to deceive her out of her own mouth. The epigrammatic saying that speech has been given to us for the purpose of concealing our thoughts came into his mind. Of that cynical theory this was a very subtle and a very scornful application, flouting in its own words the very spirit of ruthless revolution, embodied in that woman with her white hair and black eyebrows, like slightly sinuous lines of Indian ink, drawn together by the perpendicular folds of a thoughtful frown.
“That’s it. Retributive. No pity!” was the conclusion of her silence. And this once broken, she went on impulsively in short, vibrating sentences—
“Listen to my story, Razumov!...” Her father was a clever but unlucky artisan. No joy had lighted up his laborious days. He died at fifty; all the years of his life he had panted under the thumb of masters whose rapacity exacted from him the price of the water, of the salt, of the very air he breathed; taxed the sweat of his brow and claimed the blood of his sons. No protection, no guidance! What had society to say to him? Be submissive and be honest. If you rebel I shall kill you. If you steal I shall imprison you. But if you suffer I have nothing for you—nothing except perhaps a beggarly dole of bread—but no consolation for your trouble, no respect for your manhood, no pity for the sorrows of your miserable life.
And so he laboured, he suffered, and he died. He died in the hospital. Standing by the common grave she thought of his tormented existence—she saw it whole. She reckoned the simple joys of life, the birthright of the humblest, of which his gentle heart had been robbed by the crime of a society which nothing can absolve.
“Yes, Razumov,” she continued, in an impressive, lowered voice, “it was like a lurid light in which I stood, still almost a child, and cursed not the toil, not the misery which had been his lot, but the great social iniquity of the system resting on unrequited toil and unpitied sufferings. From that moment I was a revolutionist.”
Razumov, trying to raise himself above the dangerous weaknesses of contempt or compassion, had preserved an impassive countenance. She, with an unaffected touch of mere bitterness, the first he could notice since he had come in contact with the woman, went on—
“As I could not go to the Church where the priests of the system exhorted such unconsidered vermin as I to resignation, I went to the secret societies as soon as I knew how to find my way. I was sixteen years old—no more, Razumov! And—look at my white hair.”
In these last words there was neither pride nor sadness. The bitterness too was gone.
“There is a lot of it. I had always magnificent hair, even as a chit of a girl. Only, at that time we were cutting it short and thinking that there was the first step towards crushing the social infamy. Crush the Infamy! A fine watchword! I would placard it on the walls of prisons and palaces, carve it on hard rocks, hang it out in letters of fire on that empty sky for a sign of hope and terror—a portent of the end....”