“You do something! You are a gentleman. It wasn't I who spoke to you first, was it? I didn't begin, did I? It was you who came along and spoke to me when I was standing over there. What did you want to speak to me for? I don't care what it is, but you must do something.”
Her attitude was fierce and entreating at the same time—clamorous, in fact though her voice had hardly risen above a breath. It was clamorous enough to be noticed. Heyst, on purpose, laughed aloud. She nearly choked with indignation at this brutal heartlessness.
“What did you mean, then, by saying 'command me!'?” she almost hissed.
Something hard in his mirthless stare, and a quiet final “All right,” steadied her.
“I am not rich enough to buy you out,” he went on, speaking with an extraordinary detached grin, “even if it were to be done; but I can always steal you.”
She looked at him profoundly, as though these words had a hidden and very complicated meaning.
“Get away now,” he said rapidly, “and try to smile as you go.”
She obeyed with unexpected readiness; and as she had a set of very good white teeth, the effect of the mechanical, ordered smile was joyous, radiant. It astonished Heyst. No wonder, it flashed through his mind, women can deceive men so completely. The faculty was inherent in them; they seemed to be created with a special aptitude. Here was a smile the origin of which was well known to him; and yet it had conveyed a sensation of warmth, had given him a sort of ardour to live which was very new to his experience.
By this time she was gone from the table, and had joined the other “ladies of the orchestra.” They trooped towards the platform, driven in truculently by the haughty mate of Zangiacomo, who looked as though she were restraining herself with difficulty from punching their backs. Zangiacomo followed, with his great, pendulous dyed beard and short mess-jacket, with an aspect of hang-dog concentration imparted by his drooping head and the uneasiness of his eyes, which were set very close together. He climbed the steps last of all, turned about, displaying his purple beard to the hall, and tapped with his bow. Heyst winced in anticipation of the horrible racket. It burst out immediately unabashed and awful. At the end of the platform the woman at the piano, presenting her cruel profile, her head tilted back, banged the keys without looking at the music.
Heyst could not stand the uproar for more than a minute. He went out, his brain racked by the rhythm of some more or less Hungarian dance music. The forests inhabited by the New Guinea cannibals where he had encountered the most exciting of his earlier futile adventures were silent. And this adventure, not in its execution, perhaps, but in its nature, required even more nerve than anything he had faced before. Walking among the paper lanterns suspended to trees he remembered with regret the gloom and the dead stillness of the forests at the back of Geelvink Bay, perhaps the wildest, the unsafest, the most deadly spot on earth from which the sea can be seen. Oppressed by his thoughts, he sought the obscurity and peace of his bedroom; but they were not complete. The distant sounds of the concert reached his ear, faint indeed, but still disturbing. Neither did he feel very safe in there; for that sentiment depends not on extraneous circumstances but on our inward conviction. He did not attempt to go to sleep; he did not even unbutton the top button of his tunic. He sat in a chair and mused. Formerly, in solitude and in silence, he had been used to think clearly and sometimes even profoundly, seeing life outside the flattering optical delusion of everlasting hope, of conventional self-deceptions, of an ever-expected happiness. But now he was troubled; a light veil seemed to hang before his mental vision; the awakening of a tenderness, indistinct and confused as yet, towards an unknown woman.