He was turning directly toward the door leading to the front hall. Lulie was very white and seemed on the point of collapse. Even Miss Phipps, usually so calm and equal to the emergency, appeared to find this one a trifle too much for her, for she glanced desperately about as if in search of help. Zach Bloomer repeated “Godfreys” several times and looked, for him, almost excited. As for Primmie, she was so frightened as to be speechless, a miracle far more amazing than any other which the seance had thus far produced. The remaining members of the circle were whispering in agitation and staring wide-eyed at the captain and those about him.

Then a masculine voice, a very soft, gentle masculine voice, said, “I beg your pardon, Captain Hallett, but may I—ah—ask a question?”

The very gentleness of the voice and the calmness of its tone had more effect in securing the light keeper's attention than any shout could possibly have done. Captain Jethro stopped in his stride.

“Eh?” he grunted. “Eh? What's that?”

Galusha Bangs moved forward, quietly elbowing his way from the back row of the circle to the open space before the inner line of chairs and their excited occupants.

“It is—ah—I, Captain Hallett,” he observed, calmly, “I wished to ask a question. You see, I have been very much interested by the—ah—manifestations here this evening. Very much so, really—indeed, yes.”

The light keeper interrupted. “Don't bother me!” he ordered, savagely. “I'm goin' to find that sneakin' rascal, and—Get out of my way, will you?”

Somehow or other the little Egyptologist had moved forward until, without appearing to have made an effort to do so, he was directly in the captain's way—that is, between the latter and the door of the front hall. The command to get out of the way he acknowledged politely and with caution.

“Yes, yes, of course,” he said, hastily. “I'm very sorry. Very sorry indeed. I beg your pardon, Captain Hallett. Now there is one point in this lady's—ah—messages—ah—communications, you know—which puzzles me somewhat. You see—”

“I can't stop to talk to you now. I'm goin' to—WILL you get out of my way?”