His cousin, as white as the proverbial sheet, which means much whiter than some sheets, Elmer Rogers', for example, was slowly rising from his chair. One hand was pressed against his forehead and he looked as if he were dazed, stunned, suffering from a stroke. As a matter of fact, he was suffering from all three. The spark had at last reached the powder and the barrel was in the very act of disintegrating.

“Galusha,” demanded Cousin Gussie, “are you sick? What is it?”

Galusha did not answer. Before the alarmed banker could repeat his question there came a knock at the door.

“Miss Martha,” called Primmie, in tremulous excitement. “Miss Martha, Zach he's come and he says the seance is just a-goin' to begin and Cap'n Jeth says to hurry right straight over. Zach says the old man is as tittered up and nervous as ever he see him and 'twon't do to keep him waitin' a minute. My savin' soul, no! Zach says for all hands to heave right straight ahead and come.”

[ [!-- H2 anchor --] ]

CHAPTER XX

In the melodramas, the sort which most people laugh at as “old-fashioned” and enjoy thoroughly, there is usually a scene in which the hero, or the heroine, or both, are about to be drowned in the sinking ship or roasted in the loft of the burning building, or butchered by the attacking savages, or executed by the villain and his agents. The audience enjoys some delightful thrills while watching this situation—whichever it may be—develop, but is spared any acute anxiety, knowing from experience that just at the last moment the rescuing boat, or the heroic firemen, or the troops, or a reprieve from the Governor, will arrive and save the leading man or woman and the play from a premature end and for another act.

It does not happen as often in real life, at least one cannot count upon it with the certainty of the theater. But when Miss Primrose Cash knocked upon the door of the Phipps' sitting room and delivered her call to the seance, she was as opportune and nick-of-timey as was ever a dramatic Governor's messenger. Certainly that summons of hers was to Galusha Bangs a reprieve which saved him from instant destruction.

Cousin Gussie, who had been on the point of repeating his demand to know if his relative was ill, turned instead to look toward the door. Martha, whose gaze had been fixed upon her lodger with an intentness which indicated at least the dawning of a suspicion, turned to look in the same direction. Galusha, left poised upon the very apex of the explosion, awaited the moment when the fragments, of which he was one, should begin to fall.

But they did not fall—then. Primmie gave them no opportunity to do so.