work, often reprinted, 'Treatyses perteynynge to Hawkynge and Huntynge, and Fyshynge with an Angle,' by Dame Juliana Berners (1496), which contains many woodcuts, one of which, a man fishing, is very quaint (see engraving). A book which was 'imprynted at London in Flete Street in 1531,' called 'Pilgrymage of Perfeccyon, A devoute Treatyse in Englysshe,' is illustrated by three curiously folded woodcuts. De Worde was the first printer in England who used the Roman type. Several of his books have a woodcut on the title-page.
In his 'History of Wood-engraving,' Mr. Chatto gives his opinion about the cuts of this period:—'Although I am inclined to believe that within the fifteenth century there were no persons who practised wood-engraving in this country as a distinct profession, yet it by no means follows from such an admission that Caxton's and De Worde's cuts must have been engraved by foreign artists. The manner in which they are executed is so coarse that they might have been cut by any person who could handle a graver. Looking at them merely as specimens of wood-engraving, they are not generally superior to the practice-blocks cut by a modern wood-engraver's apprentice within the first month of his novitiate.'
Soon there were other printers in London. Richard Pynson began to publish books from his own press in Fleet Street. His first book illustrated with woodcuts appears to have been 'The Canterbury Tales,' printed before 1493. In the following year Pynson issued Lydgate's 'Falle of Princis' with numerous small woodcuts by a master-hand, which appear too good to be English.
For a 'Sarum Missal' of 1500, he used some beautifully engraved borders and ornaments, as well as a large cut of Archbishop Morton's coat of arms. Another of his important works was Lord Berners' translation of Syr John Froissart's 'Cronycles of Englande, Fraunce, Spayne, &c.' We give a
copy of Pynson's 'Mark,' but we fear both this and De Worde's were engraved on the Continent.
In 1498, Julian Notary established an office from which twenty-three books have been traced. Many of them have curious woodcuts, some of which seem to have descended to him from Caxton and Wynkyn de Worde. We find the decoration of the covers of Notary's works mentioned with approval in the early history of book-binding, which arrived at a much greater perfection than wood-engraving in this country at the close of the fifteenth century.