At Mirzapore I engaged a boat to carry me down the river to Bhagulpore, whence I was to proceed to the Sikkim-Himalaya. The sketch at [p.88] will give some idea of this vessel, which, though slow and very shabby, had the advantage of being cooler and more commodious than the handsomer craft. Its appearance was not unlike that of a floating haystack, or thatched cottage: its length was forty feet, and breadth fifteen, and it drew a foot and a half of water: the deck, on which a kind of house, neatly framed of matting, was erected, was but a little above the water’s edge. My portion of this floating residence was lined with a kind of reed-work formed of long culms of Saccharum. The crew and captain consisted of six naked Hindoos, one of whom steered by the huge rudder, sitting on a bamboo-stage astern; the others pulled four oars in the very bows opposite my door, or tracked the boat along the riverbank.

In my room (for cabin I cannot call it) stood my palkee, fitted as a bed, with mosquito curtains; a chair and table. On one side were placed all my papers and plants, under arrangement to go home; on the other, my provisions, rice, sugar, curry-powder, a preserved ham, and cheese, etc. Around hung telescope, botanical box, dark lantern, barometer, and thermometer, etc., etc. Our position was often ashore, and, Hindoo-like, on the lee-shore, going bump, bump, bump, so that I could hardly write. I considered myself fortunate in having to take this slow conveyance down, it enabling me to write and arrange all day long.

I left on the 15th of March, and in the afternoon of the same day passed Chunar.[[23]] This is a tabular mass of sandstone, projecting into the river, and the eastern termination of the Kymore range. There is not a rock between this and the Himalaya, and barely a stone all the way down the Ganges, till the granite and gneiss rocks of the Behar range are again met with. The current of the Ganges is here very strong, and its breadth much lessened: the river runs between high banks of alluvium, containing much kunker. At Benares it expands into a broad stream, with a current which during the rains is said to flow eight miles an hour, when the waters rise 43 feet. The fall hence is 300 feet to its junction with the Hooghly, viz., one foot to every mile. My observations made that from Mirzapore to Benares considerably greater.

[23] The first station at which Henry Martyn laboured in India.

Benares is the Athens of India. The variety of buildings along the bank is incredible. There are temples of every shape in all stages of completion and dilapidation, and at all angles of inclination; for the banks give way so much that many of these edifices are fearfully out of the perpendicular.

The famed mosque, built by Aurungzebe on the site of a Hindoo temple, is remarkable for its two octagonal minarets, 232 feet above the Ganges. The view from it over the town, especially of the European Resident’s quarter, is fine; but the building itself is deficient in beauty or ornament: it commands the muddy river with its thousands of boats, its waters peopled with swimmers and bathers, who spring in from the many temples, water-terraces, and ghats on the city side: opposite is a great sandy plain. The town below looks a mass of poor, square, flat-roofed houses, of which 12,000 are brick, and 16,000 mud and thatch, through the crowd of which, and of small temples, the eye wanders in vain for some attractive feature or evidence of the wealth, the devotion, the science, or the grandeur of a city celebrated throughout the East for all these attributes. Green parrots and pigeons people the air.

The general appearance of an oriental town is always more or less ruinous; and here the eye is fatigued with bricks and crumbling edifices, and the ear with prayer-bells. The bright meadows and green trees which adorn the European Resident’s dwelling, some four miles back from the river, alone relieve the monotony of the scene. The streets are so narrow that it is difficult to ride a horse through them; and the houses are often six stories high, with galleries crossing above from house to house. These tall, gaunt edifices sometimes give place to clumps of cottages, and a mass of dusty ruins, the unsavoury retreats of vermin and filth, where the Calotropis arborea generally spreads its white branches and glaucous leaves—a dusty plant. Here, too, enormous spiders’ webs hang from the crumbling walls, choked also with dust, and resembling curtains of coarse muslin, being often some yards across, and not arranged in radii and arcs, but spun like weaver’s woofs. Paintings, remarkable only for their hideous proportions and want of perspective, are daubed in vermilion, ochre, and indigo. The elephant, camel, and porpoise of the Ganges, dog, shepherd, peacock, and horse, are especially frequent, and so is a running pattern of a hand spread open, with a blood-red spot on the palm. A still less elegant but frequent object is the fuel, which is composed of the manure collected on the roads of the city, moulded into flat cakes, and stuck by the women on the walls to dry, retaining the sign-manual of the artist in the impressed form of her outspread hand. The cognizance of the Rajah, two fish chained together, appears over the gates of public buildings.

The hundreds of temples and shrines throughout the city are its most remarkable feature: sacred bulls, and lingams of all sizes, strewed with flowers and grains of rice meet the eye at every turn; and the city’s boast is the possession of one million idols, which, of one kind and another, I can well believe. The great Hindoo festival of the Holi was now celebrating, and the city more than ordinarily crowded; throwing red powder (lac and flour), with rose-water, is the great diversion at a festival more childish by far than a carnival.

Through the kindness of Mr. Reade (the Commissioner), I obtained admission to the Bishishar-Kumardil, the “holiest of holies.” It was a small, low, stone building, daubed with red inside, and swarming with stone images of Brahminee bulls, and various disgusting emblems. A fat old Brahmin, naked to the waist, took me in, but allowed no followers; and what with my ignorance of his phraseology, the clang of bells and din of voices, I gained but little information. Some fine bells from Nepal were evidently the lion of the temple. I emerged, adorned with a chaplet of magnolia flowers, and with my hands full of Calotropis and Nyctanthes blossoms. It was a horrid place for noise, smell, and sights. Thence I went to a holy well, rendered sacred because Siva, when stepping from the Himalaya to Ceylon, accidentally let a medicine chest fall into it. The natives frequent it with little basins or baskets of rice, sugar, etc., dropping in a little of each while they mutter prayers.