Close to this is the slab and matrix of a brass to Robert Neville, who was bishop of the diocese from 1438 to 1457. The brass has all been removed, but the matrix shows a dignified figure of the bishop holding a crozier and a scroll, while an inscription formerly existed on a plate at his feet. Bishop Neville was known for his generous qualities, as well as for his high descent.
In the western wall, on its south side, near to the entrance to the Galilee, is a mural tablet to a former Prebendary in the cathedral, and a well-known antiquary, Sir George Wheler, who died in the latter part of the seventeenth century. On the northern side is a slab to the memory of Captain R.M. Hunter, who was killed while charging a Sikh battery at Ferozeshah.
Opposite to the monument of Ralph Neville is a modern altar tomb to a former headmaster of Durham Grammar School, the Rev. James Britton, D.D., erected by his pupils. It is surmounted by a reclining figure of Dr. Britton, in academic robes, reading a book.
In the south transept is a fine monument, by Chantrey, to the memory of Bishop Barrington, who held the see from 1791 to 1826, dying at the advanced age of 92 years, beloved by all. He was a great prelate, and used his immense powers as Prince Palatine with great wisdom. The kneeling figure, with bowed head, the left hand resting on a book, in an attitude of deep reverence, is worthy of the name of its sculptor. On the west wall of the same transept is a tablet to the memory of the officers, non-commissioned officers, and privates of the Durham Light Infantry who were slain or died during the Crimean War.
Near to this is a recently inserted brass to the memory of the officers and men of the 2nd Durham Regiment who died in Egypt and the Soudan.
In the north transept we may give some attention to a monument to the Rev. John Carr, a former headmaster of Durham School. It was erected to his memory by his pupils. The monument was designed by Rickman, and is in the style known as Decorated Gothic.
The Font stands at the west end of the nave. It is a comparatively modern work, covered by a tall wooden canopy which was erected by Bishop Cosin in 1663. The original Norman font was destroyed by the Scottish prisoners in 1650, and was replaced by a large marble basin by Bishop Cosin. This font, in its turn, was removed to Pittington Church, where it is now in use, its place being filled by the present modern one. It is designed in the Norman style, and is square, supported on short columns. The sides are carved with medallions, copied from illuminated MSS., which represent scenes from the life of S. Cuthbert. The cover deserves attention as a specimen of the woodwork of the seventeenth century, exhibiting a curious and characteristic mixture of Classic and Gothic forms and details.