If those first concerts had not been given by the Philarmonia at Vicenza, and the idea had not slowly rippled outward thence, like spreading circles from a stone thrown into the water, until it reached Vienna, Paris and London, what would have been the state of music to-day?
Manifestly the development of church music would have gone on. The people, no doubt, would have been taking part in magnificent chorals. The masses of the Catholic Church would have their correspondent feature in the anthems and hymns sung in the Protestant churches by the congregations. Every instrument that existed in the sixteenth century would have been perfected, but not one would have taken on the intricate development which musical mechanism exacts.
In other words, the harpsichord would never have become a piano, and the electrical church organ would not have been heard of. We should all play some such instrument as the harp, the violin, the viol, the flute, the pipe or the dulcimer. All might have been composers, as the negroes and Indians are to-day, but on a higher plane.
What popular music might be now but for that unlucky Philarmonia discovery is suggested by an extract from the writings of Thomas Morley, an Englishman who became a great amateur and introducer of Italian madrigals in his own country. In the year 1597 he wrote that, on a certain evening, in England,—
supper being ended, and musicke-bookes, according to the custome, being brought to the table, the mistresse of the house presented mee with a part, earnestly requesting mee to sing. But when, after manie excuses, I protested unfainedly that I could not, euerie one began to wonder. Yea, some whispered unto others, demanding how I was brought up. So that, upon shame of mine ignorance, I go now to seek out mine old friende master Gnorimus, to make myselfe his schollar.
In those days a person who could not sing, and sing well, was regarded as a freak, and was required to fit himself to join in the universal diversion. If we had not turned over our music making to professionals it would be so now. Instead of going to the concert or the opera after the evening meal, or playing bridge or talking scandal, people would have participated in the singing of madrigals, glees or whatever other sort of popular spontaneous music had been developed, and all would have been sustained and uplifted by the exalted joy that comes from joining with others in the production of good music.
The people would have been joyously and heartily musical. Their taste would not have been degraded to the point where it is gratified, as in the graphophone, with a complicated succession of flat and strident sounds unmusical in themselves.