1799 (?). [Distress], (18 inches by 125⁄8,) from an Original Drawing by Thomas Rowlandson.—Published by Thomas Palser, Surrey side, Westminster Bridge.—That Rowlandson possessed a remarkable power of grasping the humorous side of life was generally acknowledged in his own day, and is now well established, time having confirmed the justness of his title to a lasting reputation; indeed, his works in this order have long received a recognition which is more assured than has been accorded to those of his contemporaries. It may, however, be pointed out, with equal sincerity, that his conception of the terrible is even more remarkable than his facility for expressing the whimsical frivolities of society. It would be difficult to find a more realistic representation of the horrors of shipwreck than the appalling scene pictured under the title of 'Distress.' The fearful sufferings of the survivors, exposed without sustenance to the dangers of the deep, and the hopelessness of any chance of rescue, are all simply set forth with intense feeling, and a faithful perception of the horrors of the situation which is harrowing to examine, although it is evident that the terrors of the subject must have exercised a certain fascination over the mind of the delineator. It seems clear that portions of a crew have escaped the loss of their vessel only to become the powerless victims of more insupportable sufferings. A solitary officer and several of the crew are crowded into a boat, which they have no means of properly navigating. Provisions and water are evidently wanting; the horizon is a blank, the sea is still running high, and the sky threatens further tempests. Hunger, thirst, and exposure, are reducing the ocean waifs to madmen; while some are in paroxysms, others are stiffening corpses, and the body of one sufferer is about to be cast into the waters to lighten the freight; some are sunk in blank indifference or imbecile despair; others are furious, one or two are looking for help from above, and a few, among them the young officer and the boatswain, are doing their best to steer the open and over-laden boat towards a likely course. The cabin boy's distress is rendered with peculiar pathos.
1799. Hungarian and Highland Broadsword Exercise. Twenty-four plates, designed and etched by Thomas Rowlandson, under the direction of Messrs. H. Angelo and Son, Fencing-masters to the Light Horse Volunteers of London and Westminster. Dedicated to Colonel Herries. Oblong folio. London. Published, as the Act directs, February 12, 1799, by H. Angelo, Curzon Street, Mayfair.—Engraved Title and Frontispiece. A tablet topped by the figure of Fame and supported by a relievo representing Guards on the march; below it a trophy, and the escutcheon of the corps. On either side an archway or portico, with relievo tablets above, representing military scenes. On guard and saluting, on the left, is a Light Horse Volunteer of London and Westminster; on the right is one of the same corps dismounted, presenting arms. The etchings are dated September 1, 1798. The subjects are executed with considerable dash and spirit. The major part of the plates represent movements of cavalry, depicted with knowledge and power; instead of being, as the titles of the illustrations would indicate, mere definitions of the positions assumed in the exercises, the artist has, with superior ingenuity and ability, managed to produce a lively series of military tableaux filled with appropriate actions, in which bodies of troops, reviews, incidents of war, engagements of large parties, assaults, repulses, and other military demonstrations, make up the backgrounds, and convert a set of plates of mere broadsword exercises into an animated and interesting collection of warlike pictures. Judging from the lengthy subscription list appended to the folio, these plates must have enjoyed a wide popularity, secured under the auspices of the Angelos, whose acquaintances amongst the fashionable world enabled them to obtain a satisfactory array of patrons and subscribers.
The subjects are as follows:—
- Prepare to guard.
- Guard.
- Horse's head, near side, protect.
- Offside protect, new guard.
- Left protect.
- Right protect.
- Bridle arm protect.
- Sword arm protect.
- St. George's guard.
- Thigh protect, new guard.
- Give point, and left parry.
- Cut one, and bridle arm protect.
- Cut two, and right protect.
- Cut one, and horse's head, near side, protect.
- Cut six, and sword arm protect.
- Cut two, and horse's off side protect, new guard.
- Cut one, and thigh protect, new guard.
- On the right to the front, parry against infantry.
Infantry.
- Outside guard; St. George's guard. Inside guard.
- Outside half hanger. Hanging guard. Inside half hanger.
- Half-circle guard. Medium guard.
- [The consequence of not shifting the leg].
- [The advantage of shifting the leg].
1799. Loyal Volunteers of London and Environs.—Infantry and cavalry in their respective uniforms. Representing the whole of the Manual, Platoon, and Funeral exercises in eighty-seven plates. Designed and etched by Thomas Rowlandson. Dedicated by permission to His Royal Highness the Duke of Gloucester. Engraved title-page; inscription in a lozenge; head of Mars above; Mercury's caduceus and branches of laurel; Cupid-warrior, and Cupid-justice with scales and sword, supported by a trophy of arms, accoutrements, &c. Dedicatory title.—This illuminated School of Mars, or review of the Light Volunteer corps of London and its vicinity, is dedicated by permission to His Royal Highness the Duke of Gloucester by his most obliged and very humble servant, R. Ackermann, 101 Strand. August 12, 1799.
List of Subjects.
- Cavalry.
- 1. London and Westminster Light Horse Volunteers.
- 2. Surrey Yeomanry.
- 3. Deptford Cavalry.
- 4. Westminster Cavalry.
- 5. Middlesex Cavalry.
- 6. Southwark Cavalry.
- 7. Clerkenwell Cavalry.
- 8. Lambeth Loyal Cavalry.
- 9. Loyal Islington Volunteer Cavalry.