1811. Munchausen at Walcheren. Plates by Rowlandson.
1811. Chesterfield Burlesqued. Published by T. Tegg. 12mo. (See Chesterfield Travestie, 1808.)
1812.
January 10, 1812. A Portrait: Duke of Cumberland. Published by H. Humphrey, 27 St. James's Street.—The Duke, with his spyglass, dressed in a blue coat with red facings (Windsor uniform); in the background is shown Kew Gardens, with the Pagoda House. The drawing from which this print was etched is entitled Blood Royal.
January 10, 1812. A Portrait: Lord Petersham. Published by H. Humphrey, 27 St James's Street.—St. James's Palace at the back of the subject.
January 10, 1812. Wet under Foot. Designed by an amateur. Published by H. Humphrey, 27 St. James's Street.—This small sketch represents a pouring wet day; a lady on pattens, holding an umbrella over her head, is endeavouring to pass the gutter without injury to her stockings. The point of view is supposed to be taken from the junction of Petticoat Lane with Smock Alley. Scavengers are shovelling mud into their carts; and the general downpour is further aggravated by denizens of the upper floors, who are discharging vessels over the soaked and dripping passengers below.
February 26, 1812. A Portrait: Lord Pomfret. Published by H. Humphrey, 27 St. James's Street.
February 28, 1812. Plucking a Spooney.—A promising young 'spooney,' according to the artist's view, is entering on life's dangers—represented pictorially in three subjects which are hanging over the head of the victim: 'the fair sex—drinking—and gaming,' being the evils set down to avoid. The novice is evidently well advanced on the downward route, and has fallen among experienced professors of the plucking process. A gaily-dressed lady by his side, a 'decoy duck,' of captivating exterior, is beguiling the senses of the self-satisfied dupe with various familiarities; while a smug stout person, dressed like a parson, is discreetly keeping up the spirit of the affair by filling the glasses and manufacturing fresh supplies of punch, which the 'spooney' is imbibing freely and without regard to the consequences. A pile of gold and notes has been laid on the table by this very innocent pigeon, and opposite to him sits the crafty and accomplished 'rook'—a captain, from his 'keeping'—who, by a skilful manipulation of the cards, assisted by the carelessness of the simple young roué, bids fair to succeed in leaving the pigeon 'without a feather to fly with;' the plunder to be apportioned amongst the hopeful triumvirate in whose company the youth has the misfortune to find himself.