III
Fanny, where the Groves were concerned, was utterly opposed to the plan which, Lee gathered, Claire had half supported. “It's really too foolish,” his wife told him; “what can Mrs. Grove and you have to say to each other? And you won't get anywhere with Mina Raff. Indeed, Lee, I think it isn't quite dignified of you.”
“That won't bother me,” he replied indulgently. “I was wondering—you haven't been away for so long—if you'd come with me. This other affair wouldn't take half a day: you could buy clothes and there are the theatres.”
“I'd love to.” She hesitated. “When did you mean to go?” But, when he said the following noon, she discovered that that didn't allow her enough time for preparations. “You don't realize how much there is to do here, getting the servants and the children satisfactorily arranged. You might telephone me after you're there; and, if you didn't come back at once, perhaps I could manage it.”
Lee telegraphed Mrs. William Loyd Grove of his intention; and, with a table put up at his seat in the Pullman car for New York, he occupied himself opportunely with the reports of his varied profitable concerns. He had had a reply, sufficiently cordial, to his telegram, arranging for him to go directly to the Groves' house; but that he had declined; and when he gave the driver of a taxi-cab the address on East Sixty-sixth Street it was past four and the appropriate hour for afternoon tea.
The house, non-committal on the outside—except for the perceived elaboration of the window draperies within—was, Lee saw at once, a rich undisturbed accumulation of the decorative traditions of the eighteen-eighties. The hall was dark, with a ceiling and elaborate panels of black walnut and a high dull silver paper. The reception room into which he was shown, by a maid, was jungle-like in its hangings and deep-tufted upholstery of maroon and royal blue velvets, its lace and twisted cords with heavy tassels, and hassocks crowded on the sombrely brilliant rugs sacred in mosques. There was a mantle in colored marbles, cabinets of fretted ebony, tables of onyx and floriated ormolu, ivories and ornaments of Benares brass and olivewood.
In the close incongruity of this preserved Victorianism Mrs. William Loyd Grove, when she appeared soon after, startled Lee Randon by her complete expression of a severely modern air. She was dressed for the street in a very light brown suit, rigidly simple, with a small black three-cornered hat, a sable skin about her neck, and highly polished English brogues with gaiters. Mrs. Grove was thin—no, he corrected that impression, she was slight—her face, broad at the temples, narrowed gracefully to her chin; her eyes were a darker blue than the velvet; and her skin at once was evenly pale and had a suggestion of transparent warmth. The slender firm hand she extended, her bearing and the glimpse of a round throat, had lost none of the slender flexibility of youth.
“The first thing I must do,” she told him in an unsympathetic, almost harsh, voice, “is to say that I agree with you entirely about this house. It's beyond speech. But William won't have it touched. Probably you are not familiar with the stubborn traditions of old New Yorkers. Of course, when Mrs. Simeon Grove was alive, it was hopeless; but I did think, when she died, that something could be done. You can see how wrong I was—William can't be budged.”