The spectacle on the stage, Russian in motive, was set in harmonized barbaric color—violent movements under a diffused light: in the background immobile peasant-like figures held tall many-branched candlesticks; there were profane gold mitres, vivid stripes and morocco leather; cambric chemises slipping from breasts and the revelation of white thighs. It floated, like a vision of men's desire realized in beautiful and morbid symbols, above the darkened audience; it took what, in the throng, was imperfect, fragmentary, and spent, but still strong, brutal, formless, and converted it into a lovely and sterile pantomime. Yet there was no sterility in what had, primarily, animated it; the change, it seemed, had been from use to ornament, from purpose to a delight with no issue beyond that. Over it there hung, for Lee Randon, the pale radiance of Cytherea.
Other visions and spectacles followed, they melted one into the next, sensations roused by the flexible plaited thongs of desire. Lee, stupefied in the heavy air of his own sensuality, saw the pictorial life on the stage as an accompaniment, the visualization, of his obsession. It was over suddenly, with a massing of form and sound; Lee and Savina Grove were pitilessly drowned in light. Crushed together in the crowded, slowly emptying aisle, her pliable body, under its wrap, followed his every movement.
On the street, getting into the automobile, she directed Adamson to drive through the park. “I don't want to go to the Malmaison,” she told Lee. Her ungloved fingers worked a link from his cuff and her hand crept up his arm. The murmur of her voice was ceaseless, like a low running and running over melodious keys. Then, in a tone no louder, but changed, unexpected, she said:
“Lee, I love you.”
It startled him; its effect was profound—now that it had been said he was completely delivered to his gathering sense of the inevitable. It secured, like a noose, all his intentions; he was neither glad nor sorry; what was the use? His own feeling—if this were love and what love was—eluded him. Above every other recognition, though, was a consciousness of impending event. What happened now, in the car rapidly approaching Central Park, was unimportant, without power to contain him in its moment. They turned in at the Fifty-ninth Street entrance: through the glass there was a shifting panorama of black branches, deserted walks and benches and secretive water. He saw vaguely the Belvedere, the Esplanade fountain, and the formal length of the Mall, together with—flung against the sky—the multitudinous lighted windows of Central Park West, the high rippling shimmer of the monumental lifted electric signs on Broadway. Other cars passed, swift and soundless, he saw their occupants and then they were gone: an aged man whose grey countenance might have been moulded in sand with a frigid trained nurse; a couple desperately embracing in a taxi-cab; a knot of chattering women in dinner dresses and open furs; another alone, painted, at once hard and conciliatory, hurrying to an appointment.
The tension, his suspense, increased until he thought it must burst out the windows. Between the shudders and the kissing he kept wondering when.... It was Savina, at the speaking-tube, who commanded their return. They left the Park for Fifth Avenue, Sixty-sixth Street. Lee got out, but she didn't follow. He waited expectantly. The night had grown very much colder. Why, in the name of God, didn't she come?
“In a moment” he heard her say faintly. But when she moved it was with decision; there was no hesitation in her manner of mounting the stone steps. The maid came forward as they entered, first to help Savina, and then to take Lee's hat and coat and stick. Savina turned to him, holding out her hand, speaking in a high steady voice:
“Thank you very much—wasn't it nice?—and good-night.” Without another word, giving him no opportunity to speak, to reply, she turned neither hurried nor slow to the stairway.
He was dumfounded, and showed it, he was sure, in the stupidity of his fixed gesture of surprise. The emotion choked in his throat was bitter with a sense of ill-treatment. To cover his confusion, he searched obviously through his pockets for a cigarette case which he had left, he knew, in his overcoat. Then, when the servant had retired, he softly cursed. However, the bitterness, his anger, were soon lost in bewilderment; that, with the appearance of resolving itself into a further mystery, carried him up to his room. With a mixed drink on a dressing-case, he wandered aimlessly around, his brain occupied with one question, one possibility.