The other regained his speech and began to curse the negro and Elim, but the latter moved swiftly on.

Above him, through the shifting tenebrous banks, he saw a classic white building on a patch of incredible greenery, infinitely remote; and then from the center of the city came a deafening explosion, a great sullen sheet of flame, followed by flashes like lightning in the settling blackness.

“The powder magazines,” Elim heard repeated from person to person. An irregular file of Confederate soldiers galloped past him, and the echo of their hoofs had hardly died before a troop of mounted Union cavalry, with slanting carbines, rode at their heels. They belonged, Elim recognized, to Kautz' command.

He had now reached the fourth turn beyond the withdrawn vision of the capitol, and he advanced through a black snowing of soot. Flames, fanlike and pallid, now flickered about his feet, streamed in the gutters and lapped the curbs. He saw heaps of broken bottles against the bricks, and the smell of fine spilled wines and liquors hung in his nostrils. His reason again wavered—the tremendous spectacle of burning assumed an apocalyptic appearance, as if the city had burst spontaneously into flame from the passionate and evil spirits engendered and liberated by war.

He stopped at the first crossing and saw before him a row of tall brick houses, built solidly and set behind small yards and a low iron fencing. They had shallow porticoes with iron grilling, and at this end a towering magnolia tree swept its new glossy greenery against the third-story windows.

“Linden Row,” he muttered. “Well—Number Two?”

He swung back a creaking gate and went up a flight of bricked steps to the door. He had guessed right; above a brass knocker filmed with the floating muck of the air he saw the numeral, Two, painted beneath the fanlight. The windows on the left were blank, curtained. The house rose silent and without a mark of life above the obscene clamor of the city. He knocked sharply and waited; then he knocked again. Nothing broke the stillness of the façade, the interior. He tried the door, but it was solidly barred. Then a second fact, a memory, joined the bare location in his brain. It was a name—Rose—Rosemary Roselle. He beat with an emaciated fist on the paneling and called, “Roselle! Roselle!”

There was a faint answering stir within; he heard the rattle of a chain; the door swung back upon an apparently empty and cavernous cool hall.

VI

A colored woman, in a crisp white turban, with a strained face more gray than brown, suddenly advanced holding before her in both hands a heavy revolver of an outworn pattern. Elim Meikeljohn could see by her drawn features that she was about to pull the trigger, and he said fretfully: