They lifted Allen out and bore him toward the house, his limp fingers, David saw, trailing through the grass. At first the latter involuntarily turned away; but, objurgating such cowardice, he forced himself to gaze at Allen. He recognized at once that his brother had not been shot; his hip was too smeared and muddy for that. It was, he decided, an accident, as Arbogast and the drummer lead Hunter Kinemon aside. David Kinemon walked resolutely up to the little group. His father gestured for him to go away, but he ignored the elder's command. He must know what had happened to Allen. The stranger in the checked suit was speaking excitedly, waving trembling hands—a sharp contrast to the grim immobility of the Greenstream men:
“He'd been talking about that family, driving out of Beaulings and saying how they had done this and that; and when we came to where they lived he pointed out the house. A couple of dark-favored men were working in a patch by the road, and he waved his whip at them, in a way of speaking; but they never made a sign. The horses were going slow then; and, for some reason or other, his little dog jumped to the road and ran in on the patch. Sirs, one of those men spit, stepped up to the dog, and kicked it into Kingdom Come.”
David's hands clenched; and he drew in a sharp sobbing breath.
“This Allen,” the other continued, “pulled in the team and drawed a gun from under the seat before I could move a hand. You can hear me—I wouldn't have kicked any dog of his for all the gold there is! He got down from the stage and started forward, and his face was black; then he stopped, undecided. He stood studying, with the two men watching him, one leaning careless on a grub hoe. Then, by heaven, he turned and rested the gun on the seat, and walked up to where laid the last of his dog. He picked it up, and says he:
“'Hatburn, I got Government mail on that stage to get in under contract, and there's a passenger too—paid to Crabapple; but when I get them two things done I'm coming back to kill you two dead to hear the last trumpet.'
“The one on the hoe laughed; but the other picked up a stone like my two fists and let Allen have it in the back. It surprised him like; he stumbled forward, and the other stepped out and laid the hoe over his head. It missed him mostly, but enough landed to knock Allen over. He rolled into the ditch, like, by the road; and then Hatburn jumped down on him, deliberate, with lumbermen's irons in his shoes.”
David was conscious of an icy flood pouring through him; a revulsion of grief and fury that blinded him. Tears welled over his fresh cheeks in an audible crying. But he was silenced by the aspect of his father. Hunter Kinemon's tender blue eyes had changed apparently into bits of polished steel; his mouth was pinched until it was only a line among the other lines and seaming of his worn face.
“I'd thank you to drive the stage into Crabapple, Ed,” he said; “and if you see the doctor coming over the mountain—he's been rung up for—ask him, please sir, will he hurry.” He turned and walked abruptly away, followed by David.
Allen lay under the gay quilt in the Kinemons' big bed. His stained clothes drooped from a chair where Mrs. Kinemon had flung them. Allen's face was like white paper; suddenly it had grown as thin and sharp as an old man's. Only a slight quiver of his eyelids showed that he was not dead.
Hunter Kinemon sat on the couch, obviously waiting for the doctor. He, too, looked queer, David thought. He wished his father would break the dreadful silence gathering over them; but the only sound was the stirring of the woman in the kitchen, boiling a pot of water. Allen moved and cried out in a knifelike agony, and a flicker of suffering passed over his father's face.