The hearths, set in a row beyond the anvil, had at their back an obscure, mechanical stir, accompanied by the audible suction of squat, drum bellows. The labour was halted at a fire; half naked anatomies, herculean shoulders and incredible arms, gathered about its mouth with hooked bars. An incandescent mass was lifted, born, rayed in an intolerable white heat, into the air. A hammer was swung upon it; and, as if the metal were sentient, a violet radiance scintillated where the blow had fallen. The pasty iron was carried to the anvil, the hooks dropped for wide-jawed tongs; the trip hammer moved up and fell. The hardening metal darkened to a carnation from which chips scattered like gorgeous petals. The carnation faded under ringing blows; the petals, heaping in the penumbra under foot, were as vividly blue as gentians. The colour vanished from the solidifying bloom ... It was ashen, black. The hammering continued.

A sense of the vast and antique simplicity of the forging, a feeling of hammering the earth itself into the superior purposes of man, enveloped Howat. He forgot for the moment his companion, lost in a swelling pride of Myrtle Forge, of his father's fibre—the iron of his character like the iron he successfully wrought. He could grasp Gilbert Penny's accomplishment here, take fire at its heroic quality; a thing he found impossible in the counting room above, recording such trivial details as wool stockings for Jonas Rupp. He could be a forgeman, he thought, but never a clerk; and in that limitation he realized that he was inferior to his father. There were aspects of himself beyond such discipline and control.

Ludowika Winscombe grasped his arm. "Come away," she begged; "it's—it's savage, like Vulcan and dreadful, early legends." She hurried him, clinging to his arm, over the ascent to the orderly lawn, the tranquil shine of candle-lit windows. There, with her hood fallen from her head, she sat on a stone step.

"You frighten me, a little," she confessed. "Are you at all like—like that below inside of you? I have a feeling that you might be. If you were one of the men about Vauxhall you'd be kissing me now ... if I liked you. But, although I do like you, I wouldn't kiss you for an emerald buckle." He recognized that she spoke seriously; her voice bore no connective suggestion. Kisses, it appeared, were no more to her than little flowers which she dealt out casually where she pleased. Yet the idea, with its intimate sensual implications, stayed in his thoughts. He considered kissing her, holding her mouth against his; and he was conscious of a sharp return of his stinging sense of her bodily seductiveness.

At the same time an obscure uneasiness, rebellion, possessed him; it was the old, familiar feeling of revolt, of distaste for imprisoning circumstance. It came to him acutely, almost as if a voice had whispered in his ear, warning him, urging him into the wild, to escape threatening catastrophe. He determined to leave Myrtle Forge in the morning, to return to the stream he had followed into the serene heart of the woods. There he would stay until—until Ludowika Winscombe had gone. Howat had no especial sense of danger from her; only for the moment she typified the entire world of trivial artifice. He gazed at her with a conscious detachment possible because of the rarity in his existence of such figures as hers.

She had risen, and her cloak fallen upon the grass. Howat could see her face beneath hair faintly powdered with silver dust and the ruffled patch of white tied pertly under her chin. Her smoothly turning shoulders, filmed in lawn, and low bodice crowned an extravagant circumference of ruffled silk and rosettes. Against the night of the Province, the invisible but felt presence of immutable hills, she was like a puppet, a grotesque figure of comedy. He regarded her sombrely from the step, his chin cupped in a hand.

But, again, she surprised him, speaking entirely out of the character he had assigned her, in a spirit that seemed utterly incongruous, but which was yet warm with conviction. "I want to explain a great deal to you," she said, "that really isn't explainable. It isn't sensible, and yet it is the strongest feeling I remember. It's about here and you and me. You can't picture my life, and so you don't know how strange this is, how different from all I've ever lived.

"I think I told you I was born in Paris—you see some of us came to France when Louis took a Polish princess, and there my mother married an English gentleman. Well, it was always the Court, in France and in England. Always the Court—do you know what that means? It's a place where women are pretty pink and white candies that men are always picking over. It's a great bed with a rose silk counterpane and closed draperies. Champagne and music and scent and masques. Little plays with the intrigue in the audience; favours behind green hedges. I was in it when I was fourteen, and I had a lover the first year. He showed me how to make pleasure. Don't think that I was indifferent to this," she added directly; "that I wanted to escape it. I wasn't; I didn't. Only beneath everything I had a feeling of not being completely satisfied; I wanted—oh, not very strongly—something else, for an hour. At times the air seemed choking; and inside of me, but not in my body, I seemed choking too. I used to think about the Polish forests, and that would help a little."

She resumed the place at his side, with her silk billowing against his knee. "This is it," she declared, her face set against the illimitable, still dark. "I recognized it only a little while ago. I think unconsciously I came to America hoping to find it; there was nothing at Annapolis, but here—" she drew a breath as deep, he noted, as her stays would permit. "It includes you, somehow," she continued; "as if you were the voice. What I said coming away from the Forge, about dreading you, was only momentary. I have another feeling, premonition—" she broke off, her manner changed. "All the Court believes in signs: Protestantism and vampires.

"It seems unreal here; I mean St. James and all that was so tremendously important; incredibly stupid—the Princess Amelia's stockings. But you can't imagine the jealousy. Every bit of it shall go out of my thoughts. You'll help me, a harmless magic. I'll be as simple as that girl across the road, with the red cheeks, in a single slip. You must call me Ludowika; Ludowika and Howat. I'm not so terribly old, only twenty-nine."