“Then it's no good,” the other promptly replied. “If it was, Wooddrop would have it. It would be his or nothing—he'd see to that. His name is Me, or nobody.”
Alexander Hulings' antagonism increased and illogically fastened on the Ironmaster. The other's character, as it had been stated, was precisely the quality that called to the surface his own stubborn will of self-assertion. It precipitated a condition in which he expanded, grew determined, ruthless, cold.
He imagined himself, sick and almost moneyless and bound for Claypole's failure, opposed to John Wooddrop, and got a faint thrill from the fantastic vision. He had a recurrence of the conviction that he, too, was a strong man; and it tormented him with the bitter contrast between such an image and his actual present self. He laughed aloud, a thin, shaken giggle, at his belief persisting in the face of such irrefutable proof of his failure. Nevertheless, it was firmly lodged in him, like a thorn pricking at his dissolution, gathering his scattered faculties into efforts of angry contempt at the laudation of others.
Veneada and Hallie Flower, he realized, were the only intimates he had gathered in a solitary and largely embittered existence. He had no instinctive humanity of feeling, and his observations, colored by his spleen, had not added to a small opinion of man at large. Always feeling himself to be a figure of supreme importance, he had never ceased to chafe at the small aspect he was obliged to exhibit. This mood had grown, through an uncomfortable sense of shame, to a perpetual disparagement of all other triumph and success.
Finally the band ceased its efforts, the oil lights burned dim, and a movement to the cabins proceeded, leaving him on a deserted deck. At last, utterly exhausted, he went below in search of a berth. They hung four deep about the walls, partly curtained, while the floor of the cabin was filled with clothesracks, burdened with a miscellany of outer garments. One place only was empty—under the ceiling; and he made a difficult ascent to the narrow space. Sleep was an impossibility—a storm of hoarse breathing, muttering, and sleepy oaths dinned on his ears. The cabin, closed against the outer air, grew indescribably polluted. Any former torment of mind and body was minor compared to the dragging wakeful hours that followed; a dread of actual insanity seized him.
Almost at the first trace of dawn the cabin was awakened and filled with fragmentary dressing. The deck and bar were occupied by men waiting for the appearance of the feminine passengers from their cabin forward, and breakfast. The day was warm and fine. The packet crossed a turgid river, at the mouths of other canal routes, and entered a wide pastoral valley.
Alexander Hulings sat facing a smaller, various river; at his back was a barrier of mountains, glossy with early laurel and rhododendron. His face was yellow and sunken, and his lips dry. John Wood-drop passed and repassed him, a girl, his daughter Gisela, on his arm. She wore an India muslin dress, wide with crinoline, embroidered in flowers of blue and green worsted, and a flapping rice-straw hat draped in blond lace. Her face was pointed and alert.
Once Hulings caught her glance, and he saw that her eyes seemed black and—and—impertinent.
An air of palpable satisfaction emanated from the Ironmaster. His eyes were dark too; and, more than impertinent, they held for Hulings an intolerable patronage. John Wooddrop's foot trod the deck with a solid authority that increased the sick man's smoldering scorn. At dinner he had an actual encounter with the other. The table was filling rapidly; Alexander Hulings had taken a place when Wooddrop entered with his group and surveyed the seats that remained.
“I am going to ask you,” he addressed Hulings in a deep voice, “to move over yonder. That will allow my family to surround me.”