Within, the office was high and bare, with a sweeping staircase, and wide doors opened on a lofty thronged dining room. Above, he was led through interminable narrow corridors, past multitudinous closed doors, to a closetlike room completely filled by a narrow bed, a chair, and a corner washstand; this, with some pegs in the calcined wall and a bell rope, completed the provisions for his comfort. His toilet was hurried, for he had been warned that extreme promptness at meals was more than desirable; and, again below, he was led by a pompous negro between long, crowded tables to a place at the farther end. The din of conversation and clatter of dishes were deafening. In the ceiling great connected fans were languidly pulled by black boys, making a doubtful circulation.

His dinner was cold and absurdly inadequate, but the table claret was palatable. And, after the isolation of Tubal Cain, the droves of festive people absorbed him. Later, at the bar, he came across an acquaintance, a railroad director, who pointed out to Alexander what notables were present. There was an Englishman, a lord; there was Bartram Ainscough, a famous gambler; there—Alexander's arm was grasped by his companion.

“See that man—no, farther—dark, in a linen suit? Well, that's Partridge Sinnox, of New Orleans.” He grew slightly impatient at Hulings' look of inquiry. “Never heard of him! Best-known pistol shot in the States. A man of the highest honor. Will go out on the slightest provocation.” His voice lowered. “He's said to have killed twelve—no less. His companion there, from Louisiana too, never leaves him. Prodigiously rich: canefields.”

Alexander Hulings looked with small interest at the dueller and his associate. The former had a lean, tanned face, small black eyes that held each a single point of light, and long, precise hands. Here, Alexander thought, was another form of publicity, different from his own. As always, his lips tightened in a faint contempt at pretensions other than his, or threatening to his preëminence. Sinnox inspired none of the dread or curiosity evident in his companion; and he turned from him to the inspection of a Pennsylvania coal magnate.

The colonnade of the hotel faced another cultivated ridge, on which terraced walks mounted to a pavilion at the crest; and there, through the late afternoon, he rested and gazed down at the Springs or over to the village beyond. Alexander was wearier than he had supposed; the iron seemed suddenly insupportably burdensome; a longing for lighter, gayer contacts possessed him. He wanted to enter the relaxations of the Springs.

Dancing, he knew, was customary after supper; and he lingered over a careful toilet—bright blue coat, tight black trousers, and flat, glistening slippers, with a soft cambric ruffle. Alexander Hulings surveyed his countenance in a scrap of mirror, and saw, with mingled surprise and discontent, that he—like Veneada—bore unmistakable signs of age, marks of strife and suffering; his whiskers had an evident silvery sheen. Life, receding unnoticed, had set him at the verge of middle age. But at least, he thought, his was not an impotent medial period; if, without material success, he had unexpectedly seen the slightly drawn countenance meeting him in the mirror, he would have killed himself. He realized that coldly. He could never have survived an established nonentity. As it was, descending the stairs to supper, immaculate and disdainful, he was upheld by the memory of his accomplishments, his widening importance, weight. He actually heard a whispered comment: “Hulings, iron.”


VII

AFTER supper the furnishings of the dining room were swept aside by a troop of waiters, while a number of the latter, with fiddles and comets, were grouped on a table, over which a green doth had been spread. With the inevitable scraping of strings and preliminary unattended dance, a quadrille was formed. Alexander, lounging with other exactly garbed males in the doorway, watched with secret envy the participants in the figures gliding from one to another. As if from another life he recalled their names; they were dancing Le Pantalon now; La Poulee would follow; then the Pastorale and L'.té.