The sails filled and the ketch forged ahead. John Woolfolk, at the wheel, glanced at the chart section beside him.
“There’s four feet on the bar at low water,” he told Halvard. “The tide’s at half flood now.”
The Gar increased her speed, slipping easily out of the bay, gladly, it seemed to Woolfolk, turning toward the sea. The bow rose, and the ketch dipped forward over a spent wave. Millie Stope grasped the wheelbox. “Free!” she said again with shining eyes.
The yacht rose more sharply, hung on a wave’s crest and slid lightly downward. Woolfolk, with a sinewy, dark hand directing their course, was intent upon the swelling sails. Once he stopped, tightening a halyard, and the sailor said:
“The main peak won’t flatten, sir.”
The swells grew larger. The Gar climbed their smooth heights and coasted like a feather beyond. Directly before the yacht they were unbroken, but on either side they foamed into a silver quickly reabsorbed in the deeper water within the bar.
Woolfolk turned from his scrutiny of the ketch to his companion, and was surprised to see her, with all the joy evaporated from her countenance, clinging rigidly to the rail. He said to himself, “Seasick.” Then he realized that it was not a physical illness that possessed her, but a profound, increasing terror. She endeavored to smile back at his questioning gaze, and said in a small, uncertain voice:
“It’s so—so big!”
For a moment he saw in her a clear resemblance to the shrinking figure of Lichfield Stope. It was as though suddenly she had lost her fine profile and become indeterminate, shadowy. The grey web of the old deflection in Virginia extended over her out of the past—of the past that, Woolfolk thought, would not die.
The Gar rose higher still, dropped into the deep, watery valley, and the woman’s face was drawn and wet, the back of her straining hand was dead white. Without further delay John Woolfolk put the wheel sharply over and told his man, “We’re going about.” Halvard busied himself with the shaking sails.