XIV
OUTSIDE she cowered pitifully from the violent blast of the wind, the boundless, stirred space. They made their way about the corner of the house, leaving behind the pale, glimmering rectangle of the lighted window. In the thicket Woolfolk was forced to proceed more slowly. Millie stumbled weakly over the rough way, apparently at the point of slipping to the ground. He felt a supreme relief when the cool sweep of the sea opened before him and Halvard emerged from the gloom.
He halted for a moment, with his arm about Millie’s shoulders, facing his man. Even in the dark he was conscious of Poul Halvard’s stalwart being, of his rocklike integrity.
“I was delayed,” he said finally, amazed at the inadequacy of his words to express the pressure of the past hours. Had they been two or four? He had been totally unconscious of the passage of actual time. In the dark house behind the orange grove he had lived through tormented ages, descended into depths beyond the measured standard of Greenwich. Halvard said:
“Yes, sir.”
The sound of a blundering progress rose from the path behind them, the breaking of branches and the slipping of a heavy tread on the water-soaked ground. John Woolfolk, with an oath, realized that it was Nicholas, still animated by his fixed, murderous idea. Millie Stope recognized the sound, too, for she trembled violently on his arm. He knew that she could support no more violence, and he turned to the dim, square-set figure before him.
“Halvard, it’s that fellow Nicholas. He’s insane—has a knife. Will you stop him while I get Miss Stope into the tender? She’s pretty well through.” He laid his hand on the other’s shoulder as he started immediately forward. “I shall have to go on, Halvard, if anything unfortunate occurs,” he said in a different voice.
The sailor made no reply; but as Woolfolk urged Millie out over the wharf he saw Halvard throw himself upon a dark bulk that broke from the wood.
The tender was made fast fore and aft; and, getting down into the uneasy boat, Woolfolk reached up and lifted Millie bodily to his side. She dropped in a still, white heap on the bottom. He unfastened the painter and stood holding the tender close to the wharf, with his head above its platform, straining his gaze in the direction of the obscure struggle on land.
He could see nothing, and heard only an occasional trampling of the underbrush. It was difficult to remain detached, give no assistance, while Halvard encountered Iscah Nicholas. Yet with Millie in a semi-collapse, and the bare possibility of Nicholas’ knifing them both, he felt that this was his only course. Halvard was an unusually powerful, active man, and the other must have suffered from the stress of his long conflict in the hall.