THE WONDERFUL MAGNETICAL ELIXIR
Take of the chymical oil of Fear, Dread, and Terror, each 4 ounces; of the rectified Spirits of Imagination 2 pounds; Put all these ingredients into the bottle of fancy, digest for several days, and take forty drops at about nine in the morning, or a few minutes before you receive a portion of the Magnetic Effluvia. They will make the effluvia have a surprising effect, etc., etc.
| Take of the chymical oil of Fear, Dread, | |
| and Terror, each | 4 ounces; |
| of the rectified Spirits of Imagination | 2 pounds; |
In 1785 there appeared a mock funeral oration upon Mesmer, travestying with endless extravagance his pretensions and methods. Caricature was a favorite mode of attack; and the examples that have escaped destruction vividly preserve the spirit and the local color of the times. Yet both learned and unlearned opinion was divided, and the press was the medium of eulogy as well as of denunciation. Of still greater importance were the discoveries of the Marquis de Puységur, one of Mesmer's disciples, which diverted the interest in animal magnetism into a new channel; and, finally, the turmoil of the French Revolution drove Mesmerism into obscurity, and Mesmer to a retreat in the town of Frauenfeld, near the lake of Constance. Our last picture of Mesmer shows him living in simple seclusion, complaining of the world's treatment of him, performing cures among those about him, and cherishing to the end his belief in animal magnetism. He died March 5, 1815, at Meersburg, where he lies buried.
IV
The system of animal magnetism Mesmer summed up in a series of twenty-seven propositions presented entirely without proof, asserting the existence of an "universally diffused subtle fluid, appearing in all portions of the celestial system, and affecting the animal economy by insinuating itself into the nerves; it has properties analogous to that of the magnet, may be reflected like light, propagated like sound, and may be increased, opposed, accumulated, transmitted to another object, and transported; furthermore this principle, which is, in a way, a sixth sense artificially acquired, will cure nervous disease directly, and others indirectly by provoking salutary crises, thus bringing the art of healing to perfection." Mesmer's methods varied at different stages of his career. The use of magnets as the main or exclusive factor in his cures, he seems to have abandoned before going to Paris; at first he made the passes with his hands, or with an iron rod, directing his fingers toward his patient, and emphasizing these movements by strokings and rubbings. The object of these manipulations was to concentrate and send out the magnetism with which his body was saturated. This magnetism he could transfer to others or to inanimate objects. "I have magnetized paper, bread, wool, silk, leather, stone, glass, water, different metals, wood, men, dogs,—in one word, all that I have touched, so that these substances produced the same effects on the patients as the magnets." When his increasing success no longer allowed him to attend personally to all his patients, he employed a valet toucher, or imparted the curative properties to water, to a tree, etc. At the height of his career he devised the "baquet," which he describes as a "small open vessel on a three-legged support, from which emerged some bent iron rods, the points of which could be easily applied to the outer parts of the body, such as the head, breast, stomach, etc." The baquet and other paraphernalia served to concentrate and impart the fluid that issued abundantly from Mesmer's person. An eyewitness thus describes the results of the treatment: "Some patients experienced pains and fever; others fell into unusual and severe convulsions, frequently lasting for three hours; others became faint and dazed, and but few remained unaffected. There were manifested the most violent involuntary distortions of the limbs; partial suffocation, heaving of the abdomen, wild glances, were observed; one patient utters piercing cries, another has fits of laughter, while a third bursts into tears. Nothing can break this spell save the command of the magnetizer, and whether the patients be in the wildest frenzy or in the deepest stupor, a word, look, or nod of the master is sufficient to bring them to consciousness. This violent condition was technically termed a crisis, and deprived the patients of all consciousness so that none could at all remember what had been felt, heard, or done while in this condition; and yet they were so sensitive that one could not come in contact with them, not even touch the chair on which they sat, without causing fright and convulsions which only the master could pacify." As the cures progressed, the patients lost their sensitiveness to the magnetic fluid. The scenes about the baquet have come to be the most usual association with the name of Mesmer. The dimly lit room, the odor of incense, the mellow tones of the organ, the hushed silence and anxious expectancy; the entrance of Mesmer, wand in hand, clad in striking robes, to initiate the crises that then spread by the contagion of nervous disorder; all these reflect the intellectual and social conditions of the time, and are most naturally interpreted as the adaptation of a shrewd adventurer to his environment.
In the light of this account it becomes clear that while an altered condition of the nervous system and a state of increased suggestibility were constantly manifested in Mesmer's salle des crises, yet Mesmer did not at all appreciate the nature of the process by which the effects were produced, nor the condition which he brought about in his patients. In brief, Mesmerism in the hands of Mesmer was clearly only an antecedent of hypnotism. Yet certain of the more detailed descriptions of the scenes about the baquet unmistakably indicate that some of Mesmer's subjects went into a true hypnotic condition; that as many or more were the victims of more or less complex hysterical attacks is equally clear. But to this aspect of the phenomena, Mesmer was entirely inattentive. His attention was devoted to the elaboration of the physical agencies which in his view were the cause of the phenomena, and to the production of the rather violent symptoms of the crisis which he always regarded as an essential part of the curative procedure. He elaborated the baquet, filled it with bottles and glass and iron filings and water arranged in fanciful ways, and in some mystical sense suggestive of magnetic influences. Mesmerism thus consisted of the induction of crises by animal magnetism, as concentrated in Mesmer's person and assisted by the baquet, by passes and physical manipulations. Farther than this Mesmer never went in his comprehension of the phenomena that we now know as hypnotism. Indeed, when he was confronted with Puységur's subjects in the somnambulic state, he regarded the production of this true hypnotic condition as foolish, and considered it to be only a subordinate phase of the magnetic crisis. Towards the close of his life, and when the turmoil and the glory of his Parisian career were memories of the past, when he had had abundant opportunity for reflection and for the observation of the altered condition which the status of Mesmerism had assumed, Mesmer still maintained unaltered the dogmas of animal magnetism.
In criticism of the attitude of the commission, it may certainly be held that they underestimated the significance of what they saw and used the term "imagination" in a sense both vague and uncritical; and yet the tenor of their conclusions was as wholesome as it was justifiable. They were primarily concerned with the correctness of the proposed explanation of the phenomena, and with the value of the curative procedures; and on these points their verdict is logically reached and forcibly stated. The psychic element in the guidance of conduct as in the treatment of diseases they were prepared to acknowledge, but not as an indorsement of animal magnetism. "In searching for an imaginary cause for animal magnetism, the actual power which man exercises over his fellow-beings without the immediate and evident intervention of a physical agent, is recognized." Their tests evidence their appreciation of the efficacy of suggestion, a power which they admit "can be elaborated to an art." While it may properly be urged that the report contributed to the postponement of the scientific study of this class of phenomena, its admirable logical qualities entitle its authors to the gratitude and honorable remembrance of mankind. Indeed, in deference to the excited state of public opinion of the time, they subjected themselves and others to most painstaking tests, assuming the burden of disproof, and treating Mesmer's arbitrary attitude with more than scientific fairness. Their verdict not only destroyed Mesmer's pretensions, but held out a rational, though in our present lights an inadequate, interpretation of the phenomena, then so sensationally presented to an excited and distraction-loving public.
V
Before the commissioners had completed their examination, the aspect of animal magnetism was, in the hands of a French nobleman, undergoing an entire change. The Marquis A. M. J. Chastenet de Puységur, born in 1752, came of a distinguished family, and himself took an important part in the Revolution; his death was the result of a romantic but imprudent act of devotion to the royalist cause, on the occasion of the coronation of Charles X. in 1825. He was one of Mesmer's select pupils, and himself a good subject at the baquet; and likewise remained a firm supporter of the doctrines of animal magnetism. He had constructed a baquet at his estate at Buzancy, and was applying the "Mesmeric" practices among his dependents. It happened on the fourth of May, 1784, that he had magnetized his subject, Victor, in the usual way, when (to continue with his own words) "what was my surprise to see at the end of a quarter of an hour this man sleeping peaceably in my arms without convulsion or pain.... He spoke and seemed occupied with his own thoughts.... I perceived that these were affecting him unpleasantly, and I stopped them and suggested pleasanter ones, which indeed was not difficult. Soon I saw that he was happy, imagining that he had drawn a prize or was dancing at a fête, etc.; these ideas I fostered, and thus forced him to move about on his chair as if dancing to a melody, which I made him repeat aloud, by humming it myself." Upon awakening, Victor remembered nothing of what had happened. In this observation there are clearly recognizable an altered mental condition, a sleep-like unconscious state, loss of memory upon awakening, and suggestibility of sensations, ideas, and movements,—all important characteristics of a true hypnosis. Indeed, this may be considered as the first clearly recorded and uncomplicated production of the condition which made possible the study of hypnotism.
The phenomena thus presented might readily have been the starting-point of a scientific investigation of this peculiar state, had not a subsequent observation unfortunately directed the experiments into a different channel. When Victor was again thrown into this "magnetic crisis" or sleep,—as Puységur at first termed it,—he began to speak, describing his ailments, directing what should be done to effect his cure, and giving similar prescriptions, when questioned in regard to the treatment of others. This strange condition, which by its analogy to sleep-walking came to be termed "artificial somnambulism," was destined to mark a turning-point in the history of the topic. It was evident, almost from the outset, that the baquet and the other paraphernalia, the crises, pain, and contortions were rendered quite unnecessary. The patients had become their own physicians, prescribing such simple remedies as were familiar to them by use or hearsay, and predicting the time of appearance and the nature of the symptoms, such as they had witnessed about the baquet or in everyday life. Within two months of the first observation, 62 cures had been effected under Puységur's direction, 300 patients were in attendance, and 10 somnambulists had been discovered; before the close of the year (1784) Puységur published a volume detailing his cures, his correspondence, and his theory of animal magnetism.