In Battle Line

THE INDIANS' STORY OF THE CUSTER FIGHT

We are thinking now of the reddest chapter in the Indian wars of the Western plains. Out amid the dirge of landscape, framed within the valley of the Little Big Horn, where that historic river winds its tortuous way through the sagebrush and cactus of Montana, a weather-beaten cross stands on a lonely hillside, surrounded by a cluster of white marble slabs, and all marking the final resting-place of the heroes of the Seventh United States Cavalry, who perished to a man, “in battle formation,” with their intrepid leader, Gen. George A. Custer. “Custer's Last Battle,” as chroniclers of Indian wars have designated that grim tragedy, has been written about, speculated upon, and discussed more than any other single engagement between white troops and Indians. Volumes have already been written and spoken on all sides—the controversy still goes on. The brave dead sleep on; they are bivouacked on Fame's eternal camping ground. Civilization has irrigated the valley and swept on to Western frontiers, but as though to forever write laurels for the brow of Custer—called the Murat of the American army—the white stones and the decaying crucifix of wood are surrounded [pg 151] by barren bluffs and a landscape so forbidding that it is a midnight of desolation. It seems to be preserved by the God of Battles as an inditement on the landscape never to be erased by any human court—lonely, solemn, desolate, bereaved of any summer flower, written all over with the purple shadows of an endless Miserere. Thirty-six years have run through the hourglass since these dreary hills and the flowing river listened to the furious speech of rifles and the warwhoop of desperate redmen. The snows have piled high the parchment of winter—a shroud for the deathless dead—whiter than the white slabs. Summer has succeeded summer, and all the June days since that day of terrific annihilation have poured their white suns upon these white milestones of the nation's destiny—the only requiem, the winds of winter, and in summer the liquid notes of the meadow lark. In all the argument and controversy that has shifted the various factors of the fight over the checkerboard of contention, the voice of the Indian has hitherto been hopelessly silent. It is historically significant, therefore, that the Indian now speaks, and the story of Custer's Last Battle, now told for the first time by all four of his scouts, and leaders of the Sioux and Cheyennes, should mark an epoch in the history of this grim battle. The Indians who tell this story were all of them members of the last Great Indian Council, [pg 152] and they visited the Custer Field a little over two miles from the camp of the chiefs, traversed every step of the ensanguined ground and verified their positions, recalling the tragic scenes of June 26, 1876. It matters much in reading their story to remember that all of Ouster's command were killed—every lip was sealed in death and the silence is forever unbroken. The Indian survivors are all old men: Goes-Ahead and Hairy Moccasin are each on the verge of the grave, fatally stricken by disease; Chief Two Moons, leader of the hostile Cheyennes, is a blind old man; Runs-the-Enemy, a Sioux chief, totters with age. In a near tomorrow they too will sink into silence.

The Custer Battlefield

These four scouts, faithful to the memory of Custer, together with the Sioux and Cheyenne chiefs, trudged with the writer to stand on the spot where Custer fell, and with bowed heads pay their silent tribute to the dead. The camera has recorded the scene, a last vision of the red man standing above the grave of his conquerors, a pathetic page in the last chapter of Indian warfare.