So much has been written on the social life of the wealthy and noble classes in France on the eve of the Revolution, that I need say little more than that the Abbé de Périgord, as he was now commonly styled, was found in every brilliant salon and circle at Paris during the next ten years. “You do not know what it is to live,” he would say indulgently to the new generation in their restored gaiety after 1815. In some few respects the pace of life had been moderated since the days of Louis XIV, but in others it had increased. There were no longer Pompadours and Du Barrys at Versailles, but the King’s propriety was less noticeable than his vulgarity[9]—courtiers telling daily of his prodigious breakfasts and dinners and indigestions, his antics when they were putting him to bed, and so on—and was quite undone by his weakness. The cynical memoirs of Lauzun show how little change there was in the character of the Court. The imprudence and frivolity of the beautiful young Queen, leaving Versailles to mix with the masked crowd at the Opera when the King had gone to bed (and being locked out by her tactless consort at six in the morning), or gambling heavily with her ladies until day-break, or giving far too substantial ground for charges of gallantry, encouraged the rising generation of nobles in their giddy dance in the crater of a rumbling volcano. She was largely responsible for the passion for heavy gambling that broke out. At Marly her ladies had to change their dresses after playing—soiled with the masses of gold wrung from an almost bankrupt country. A vulgar American adventurer could get the entrée of Versailles by letting it be known that he had a large sum of money to lose; he won in a short time 1,500,000 livres from his royal shearers. Another man won 1,800,000 livres in one evening. The thoughtless Count d’Artois, the King’s brother, bet the Queen 100,000 livres that he would build a palace in the Bois in six weeks; he won it—and the 900 men he had employed scattered over Paris with the story. Whoever could invent or import a new sensation was sure of the Queen’s support. Racing was introduced from England, and she flew to Sablons to lay bets on the horses of her favourite, the too notorious Lauzun. Then chariot races (some chariots costing ten thousand crowns) varied the programme; and a society was formed at Paris for the construction of a bull-ring. Grave parliamentary lawyers and financial ministers frowned, and were dismissed.
From an engraving.
TALLEYRAND
(A portrait taken in early life).
In dress, furniture and banquets the fashion was equally luxurious and criminal. The age of Henri Quatre took the fancy of the younger nobles, and they tried to revive the splendid costumes of that time, but the King interfered. Whole fortunes were spent on fantastic head-dresses. Ladies drove among the impoverished people and before bankrupt tradesmen with structures two or three feet high on their heads, landscapes, symbolic designs—the American Independence hat, the racing hat, the vaccination hat, and so on. Orders of chivalry were set up by this nobility that was squeezing the blood out of the veins of the peasantry. There was an Order of Perseverance, with statutes by Mme. de Genlis, meetings in a gorgeous tent in Lauzun’s garden, and costumes of white and grey and silver; in this edifying company the initiate had to answer a riddle, reply to a “moral question,” make a speech in eulogy of some virtue, and—vow to redress injustice and succour the poor and distressed! Clotho and Lachesis must have smiled for once. There were rival Orders of Patience and Felicity and what not. Then Anglo-mania crept into their idle brains, and long evenings were spent in discussing the excellence of popular representation over tea and bread and butter, and the geometrical gardens were Anglicised at great expense, and Gobelins tapestry gave place to wall-paper. And, in fine, we get a real novelty in the shape of Cagliostro with his toad that had received all the Sacraments, his innocent young girl, and his devils at command. Cardinal-Prince de Rohan, with the two-and-a-half millions a year and heavy debts, with the alb worth 100,000 livres, with the twenty-five valets de chambre and fourteen maitres d’hotel, had set him up in his palace at Paris; and dashing colonels and elderly countesses and philosophic abbés went to see Beelzebub in the flesh. And the Fourth Estate was coming rapidly to birth.
Into this giddy stream the Abbé de Périgord gladly plunged. He was in his twenty-fourth year, still pale of face, but with the familiar Talleyrand features fully developed: the quiet blue-grey eyes, so very observant, under bushy eye-brows, the nose pointed and slightly turned up, the lower lip protruding a little, a faint smile hovering about the mouth, and a fine crop of long, wavy hair framing the attractive face. He had taken a small house in the district of Bellechasse (near the Invalides), collected an excellent library of good books in good bindings, and at once renewed his acquaintance with Choiseul, Count Louis de Narbonne, and the Abbé de Périgord. They were collective owners of a stable of racers, and were the nucleus of a group of diners and talkers that nearly every ambitious woman must entertain. Talleyrand soon completed his education. He became a famous whist-player (his chief amusement through life), and added a good deal to his income at the tables.
He had in the Rue Saint-Dominique an interesting and useful neighbour in the Countess de Genlis. After a very romantic career she was then in charge of the children of the Duc de Chartres. In 1779 she had retired from the gaiety (and orgies) of the Palais Royal to train, on the best moral and philosophical principles, the twin daughters of the Duchess. The Convent of the Sisters of the Holy Sepulchre at Bellechasse was a favourite spot for “retreats” amongst the wealthy Parisians, and a house was built in its grounds in which the retired countess could carry out her work. Over its street door—a grilled, very religious-looking door—was written, in gold characters, Addison’s excellent saying: “True happiness is of a retired nature and an enemy to pomp and noise.” Two of the nuns guarded the door, which was firmly closed at ten every night, and the key was taken into the convent. Inside, beyond the simple furniture (she had left her seven hundred pounds’ worth of mirrors in her salon at the Palais), all was calmly educative. Busts of great and good men, maps, historical tablets, &c., abounded. So Mme. de Genlis in her memoirs. She was just such a neighbour as Talleyrand would appreciate at that time. With the same ever-flowing pen she would write a most edifying book on moral education, a Jacobin speech for the Duke, and an erotic novel. Her moral writings testified, as E. de Goncourt says, to “the ease with which her imagination could find a substitute for experience.” All Paris descended on the model teacher’s dwelling in the Rue Saint-Dominique. There being a royal princess (the infant) in the house men could enter the enclosure; and, says Talleyrand, in one of his caustic moments, she “always yielded at once so as to avoid the scandal of coquetry.” Heavy gambling went on under the Addisonian maxim. One youth lost 13,000 louis there. Talleyrand was a very frequent visitor, and an assiduous observer. “When you see much of men,” said his cynical friend, Chamfort, “your heart must break or bronze.” Talleyrand was not afflicted with a tender heart. His own house at Bellechasse soon became the centre of a brilliant circle of talkers. Though he rarely went to bed before three or four he was up early, and was joined by his friends over a cup of chocolate. He had a peculiarity in the heart-beat, to which he attributed his power of dispensing with sleep. He ate little—a cup of chocolate or a biscuit and glass of Madeira during the day, and a choice dinner in the evening. But his wine, his coffee, and his cook were carefully chosen, his toilet elaborately neat. One of the most cultured groups in the city used to gather at his house in the morning. Choiseul was the best of the group, and it is gratifying to find Talleyrand speaking of him in the later days with real affection. He was an animated talker and a good scholar, but he departed presently for the Embassy at Constantinople. Few of the others are spared in the terrible memoirs. He might have said with Chamfort, if he had deigned to borrow a phrase: “I have friends who love me, friends who don’t care a pin about me, and friends who detest me.” But their daily talks were one of the events of Parisian life. Most of them were, or became, Academicians. There was the boisterous young colonel, Count Louis de Narbonne, the third of the trinity, a hard military student, but jovial in company beyond the limit of taste. There was Colonel Lauzun (later Duc de Biron), who had begun his gallant adventures at seventeen, and contracted a debt of a million and a half by his thirty-fourth year; who often shot with the King, and boasted of the affection of the Queen. Later (when he came out of his third prison) there was young Mirabeau, “the tribune of the people,” with the huge, pock-marked face, and the sonorous denunciation of the social order that persecuted him. Of older men, there were the Abbé Delille, the chief poet of the time, friend of Voltaire, an abbé commendataire (30,000 livres) with “the face of an infant,” the pen of a libertine, and the ideas of a philosopher: Chamfort, of the “electric head” (it bristled so with ideas), living now with the widow of Helvétius, pouring out vitriolic doses on humanity in all its aspects, but secretly writing Mirabeau’s and Talleyrand’s elevated democratic speeches—“How many fools does it take to make a public?” he used to ask: Count Lauraguais, very cultured and a generous patron of science and letters: Panchaud, the Swiss banker, greatly esteemed by Talleyrand, “the only man in France who could make the goose with the golden eggs lay without cutting its guts out,” said Mirabeau: Barthez, the doctor-philosopher, editor of the Encyclopædia: Ruehière, the young historian of Russia: Dupont de Nemours, the famous young economist.
From an engraving, after a picture by Retsch.
MADAME DE GENLIS.