The horse's mate stood stolidly in harness, hitched still to his wagon. She wondered if now he would have to pull it home alone. A man with a note book pushed through the crowd. He was evidently in authority of some sort. He asked a little boy something and the boy turned and pointed toward an alley entrance cat-a-corner from where he stood.
Then a big man with a whip in his hand, a leather strap around his waist and a union button in his cap, probably the driver of the dead horse, threw his cap on the ground and stamped his foot, shook his fist at the boy and turned his back on the man with the note book and refused to answer his questions. She couldn't understand it at all. It seemed very unreasonable.
Then a street car bound the other way rolled up and came to a stop between her and the white horse. Mason Stevens sat on the seat precisely opposite hers, so near that they could have shaken hands if the two grilled iron screens had not been in the way. She noticed that his jaw fell open, like a dead person's.
She heard her conductor and the other conductor jerk simultaneously the go-ahead signals and the cars, quickly getting up speed, went in different directions. She did not turn her head, but she could feel the moment when he flipped onto the back platform. Then she heard him come up the aisle, breathing heavily from his run.
The seat beside her had become vacant and she had placed her paper package of white goods on it. Now she took it into her lap and crossed her arms over it. He sat down.
"How do you do!" he said.
"How do you do?"
They both stared straight ahead, not daring at first to look at each other.
"It's—quite a while since we—saw each other," she ventured after a long pause.
"Yes, quite a while, but—" he stopped.