RIMBOUTS, PETER, Amsterdam.
ROOK, JOSEPH, London, 1777 to 1852. A good workman, who imitated Forster.
ROSS, JOHN, 1562. An early maker of lutes.
ROTH, CHRISTIAN, Augsburg, 1675.
ROVELIN, —— 18th Century.
RUDGER, —— Cremona—not one of the Ruggeri Family. Made some good instruments of the high build, and deep sides, and used fine varnish.
RUGGERI, FRANCISCO, Cremona, 1640 to 1684. This celebrated maker is considered to have been a pupil of Antonius Amati, and made many excellent instruments which bear a high reputation. They rank next to the Amati. Their quality is similar, and the style of work is easily seen to belong to the same class. There are a few violins by this maker of the same pattern as the Grand Amatis, which are said to surpass the latter, having more wood in them, which was detrimental when they were made, but which age has mellowed, and they now possess a strong and free vibration. Many of the Ruggeris have varnish little inferior to that of Stradiuarius and Guarnerius. This artiste ranks highest in the family in the estimation of the connoisseur. His work is extremely clean. The next is Giovanni Baptista, rather higher built and sound holes rather broader. The scrolls are larger than those of Amati but of the same type, There are many splendid violoncellos of these makers and a few tenors. Some of the former are very large. Francisco Ruggeri is mentioned by Spohr in his list of instruments to be sought for in the absence of the three great makers, Nicholas Amati, Antonio Stradiuarius and Joseph Guarnerius.
RUGGERI, GUIDO, Cremona, 1679.
RUGGERI, GIOVANNI BAPTISTA, son of Francisco. Brescia, 1690. Mentioned above.
RUGGERI, PIETRO GIACOMO. Brescia 1700 to 1720. The celebrated violoncellist Piatti plays on an instrument by this maker, and the tone is uncommonly fine and sonorous as all who have heard him know.