Modern Illustration

by Joseph Pennell

Abbey, E. A., "Herrick," [123];
"Old Songs" and "Quiet Life," [106], [124];
"She Stoops to Conquer," [124];
"Shakespeare," [124].
"Abbotsford" Waverley Novels, [26].
Ache, Caran d', [66];
"Courses dans l'Antiquité," "Carnet de Chéques," "Albums," etc., [67], [79].
Adams, J. A., [29].
Albrecht, E., [78].
Alexander, Miss, [xvii].
Allers, C. W., [78].
Allingham, W., "The Music Master," [88].
Ally Sloper's Half Holiday, [103].
American illustration, [xv], [30-32], [113], [130].
American Tract Society, [29].
Amicis, E. de, [70].
Andersen's "Fairy Tales," [108].
Andrew, [25].
Angelico, Fra, [3].
Angerer and Göschl, [72].
Anning Bell, R., [105].
Aquatint, [38].
"Arabian Nights" (Lane), [24];
(Dalziel), [91], [101].
Architectural drawing, [111].
Argosy, The, [90].
"Armée Française, L'," [60].
Armstead, H. H., [90].
Arnold, Sir Edwin, "Japonica," and "Japan," [126].
Art, L', [51].
Art, L', et l'Idée, [56].
Art Student, [35].
Artist-correspondents and their work, [112].
Artiste, L', [18], [22], [60].
Auriol, Georges, [63], [68].
Avril, Paul, "La Dame aux Camélias," [62].
Babbage, F., [xxiv].
Bacher, Otto, [127], [130].
Bale, Edwin, [115].
Bambou, Le, [56].
Barnard, Fred., [xxiv], [108].
Barnes, R., [108].
Batten, J. D., illustrations to Fairy Tales, [105-106].
Baude, C., [48], [51], [69].
Baxter, W. G., "Ally Sloper," [103].
Bayard, Emile, [65].
Beardsley, Aubrey, [105];
Yellow Book, "Morte d'Arthur," and "Salome," [105].
Bennett, G. H., [89].
Bentworth, [25], [74].
Beraldi, M., [xiv].

Best, [16], [25].
Bewick, Thos., [xiv], [xvi], [8];
Walton's "Angler," [9];
Gay's "Fables," [9];
"General History of Quadrupeds," [9];
"British Land and Water Birds," [9];
as engraver-artist, [9], [10];
outcome of his work, [12], [17], [47], [88].
Bibliographers' duties with regard to illustrations, [xx].
Bibliographica, [xvi], [92].
Birch, Reginald, [127].
Blackburn, H., [81].
Black and White, [108].
Black and White Exhibition, Vienna, [72].
Blair's "The Grave," [9].
Blake, W., [9];
"Songs of Innocence" and "Songs of Experience," [10];
"Book of Job," [10];
Blair's "The Grave," [9];
Mary Wollstonecraft's "Stories," [10].
Blanco y Negro, [79].
Blum, R., "Japonica," "Japan," [126].
Böcklin, A., [76], [77].
Bork, [48], [73].
Botticelli, [3];
designs for Dante, [3].
Boydell's "Shakespeare," [12].
"Bracebridge Hall," [86].
Bradbury and Evans, [89].
Bradley, W. H., [124].
Branston, C., [12], [21].
Braun, [18].
Braun and Schneider, [76].
Brend'amour, Richard, [76].
Brennan, A., [126].
Brévière, [16], [18].
British Museum, [xv], [xix], [xx], [36].
British Workman, [96].
Brown, Ford Madox, [95].
"Brown, Jones, and Robinson," [84].
Browne, H. K. ("Phiz"), [89].
Bruant's "Dans la Rue," [68].
Buchanan's "The North Coast," [94].
Burckhardt, "Insects Injurious to Vegetation," [31].
Burges, W., [111].
Burne-Jones, Sir E., [xvi];
In Daily Chronicle, [xxiii], [95], [98].
Busch, W., [77].
Butler's "Hudibras," [19], [20].
Butterfly, The, [105].
Calcott, W., [24].
Caldecott, Randolph, illustration from "Old Christmas," [33], [84], [86];
Books for Children, [86].
Callot, [80].
Cameron, D. Y., [111].
Canaletto, [7].
"Caprices" (Goya), [80].
Capuana, Luigi, [71].
Caracci's "Christ and Peter," [10].
Caricature, La, [22].
Caricature, Political, [102], [103];
Ally Sloper's Half Holiday, [103].
"Carnet de Chéques," [67].
"Carols" (Gaskin, A. J.), [108].
Carpaccio, [2].
Carroll's "Alice in Wonderland," [102].
Casanova y Estorach, A., [71].
Castaigne, A., [127].
"Catalogue of Blue and White Nankin Porcelain," [95].
Century Magazine, [xix], [34], [40], [114], [116].
"Cera una Volta," [71].
Cervante's "Don Quixote," [21].
Champfleury's "Vignettes Romantiques," [xviii].
Chapman, J. G., drawings for the "Illuminated Bible," [29].
Charlet, [17], [60].
"Chaumière Indienne," [20].
Chelminski, [73].
Chéret, [68].

Chiaroscuro, engraving in, [48].
Chiswick Press, [21].
Chodowiecki, [7].
Christopher, St., [6], [34], [36].
Church, F. S., [129].
Cleaver, Reginald, [106].
Clennell, Luke, [11], [12].
Clichés, early use of, [7].
Closson, W. B., [129].
Cole, Timothy, [47], [48], [108], [129].
Colvin, Prof. S., [xv].
Conquet, [63].
"Contes Remois," [24].
Cooper, A. W., illustration to Walton's "Angler," [32].
Cooper, J. D., [xxiv].
Corbould, A., [21].
Cornhill, The, [28], [84], [89];
"Gallery," [94].
Cotman, F. G., [38], [111].
"Coups de Fusil," [60].
Courboin, E., [66].
Courrier Français, Le, [51].
"Courses dans l'Antiquité," [67].
Cox, Kenyon, [126].
Crane, Walter, [28];
"King Luckyboy's Party," "The Baby's Opera," "Baby's Bouquet," [86], [99].
Crowther, T. S., [104].
Cruikshank, George, "Three Courses and a Dessert," [22-24], [83], [88].
Curmer, L., "Paul et Virginie," [20].
Cust, Lionel, [xv].
Daheim, [78].
Daily Chronicle, [xvii], [xxi], [xxiii].
Daily Graphic, [117].
Dalziel Brothers, [28], [35];
"Bible Gallery," [35], [95], [88], [90], [91];
"Arabian Nights' Entertainments," [91-93];
"Wayside Posies" and Ingelow's "Poems," [94];
"English Rustic Pictures," [95], [109].
Dalziel, E., [93].
"Daphnis and Chloe," [105].
Darley, F. O. C., [28].
Dasio, Max, [77].
Daubigny, [17].
Daumier, [17];
La Caricature, [22], [38], [60].
Davidson, H., [129].
Davis, J. P., [129].
Davison, T. R., [111].
Defoe's "Plague," [101].
Delacroix, [23], [80].
De Neuville, A., [51], [60];
"Coups de Fusil," [60];
Guizot's "History of France," [60];
"En Campagne," [60].
"Dentatus, The," [49].
Dentu's Le Bambou, [56];
"Tartarin de Tarascon," [61].
Derniame, Aristide, [20].
Detaille, E., [51];
"L'Armée Française," [60].
Dial, The, [105].
Dickens, C., [83].
Didot, F., "Gravure sur Bois," [5].
Dietz, W., [25], [75].
"Dinner at Greenwich," [84].
Dobson, Austin, [xiv], [xviii], [81], [84];
"Beau Brocade," [106].
Dœpler, C. E., [29].
Donné, Dr., [40].
Doré, G., [31], [32], [51], [58];
characterization of his work, [58-60], [63], [93].
Doyle, R., [83];
"Brown, Jones, and Robinson," [84], [89].
Drake, A. W., [114], [115], [127].
Du Maurier, G., [28], [39], [84], [101], [103].
Durand, [108].
Durand, Amand, photogravure process of, [44].
Dürer, A., [xxii], [3];
illustrations to "Maximilian's Missal," [3];
decorative designs, [4];
his criticism on his wood-engravers, [5];
an Apollo drawing, [36].

Duveneck, Frank, [130].
Dys, Habert, [65].
Echo de Paris, L', [54].
Eckhardt, Oscar, [104].
Edelfelt, A., [73].
Edwards, G. W., [124].
Elgin Marbles, [xxii].
Elsevir, [71].
"En Campagne," [60].
"English Rustic Pictures," [95].
"Enterrement de Province," [69].
Estampe Originale, L', [69].
Etching, [111];
American, [130];
Cassell's "Portfolios," [130].
Evans, Edmund, [xxiv], [87], [109].
Everal et Cie., [21].
"Examples of Venetian Architecture," [85].
Ex-Libris Series, Editor, [xiii], [xiv].
Fau, F., [61].
Felz und Meer, [78].
Fenn, Harry, "Picturesque Europe and America," [31], [127].
Fernandez, G., [79].
Ferris, Stephen, [130].
Figaro, Le, [54].
Fildes, Luke, [xxiv], [86].
Fliegende Blätter, [xvii], [25], [75-78].
Florian, [48], [51], [57], [69].
"Fontaine, La," [8].
Foote, Mrs. Mary H., [127].
Forain, J. L., [66];
Album, [68].
Ford, H. J., [106].
Forget-me-Not, [13], [34].
Forrestier, A., [108].
Fortuny, M., [50], [71], [79], [126].
Foster, Birket, [xv], [xxiv], [26-29], [84];
"Pictures of English Landscape," [91];
"Odes and Sonnets," [91], [103].
"François le Champi," [62].
Fraser, Lewis, [114], [115].
Fredericks, Alfred, [30].
"Frederick the Great's Works," [74].
French, Frank, [129].
Frost, A. B., [126].
Furniss, Harry, [102].
Galice, L., [61].
Gamm, [48], [129].
Gardner, W. Biscombe, [48], [109].
Gaskin, A. J., [108].
Gaul, Gilbert, [126].
Gautier, T., [80].
Gavarni, [17];
Gazette des Enfants, lithographs in, [22], [38], [57], [60], [79].
Gazette des Enfants, [22].
Gazette des Beaux-Arts, La, [51].
Gere, C. M., The Quest, [108].
Giacomelli, [65].
Gibson, C. D., [125], [126].
Gibson, W. Hamilton, [126].
Gigoux, Jean, [17];
Gil Blas, [19].
Gilbert, Sir John, [26];
Work for American Tract Society, [29], [84];
edition of Shakespeare, [89], [103].
Gil Blas, [54].
Gillom, B., [129].
Gillot, C., engraver, [40].
Gillotage, the process, [51].
Gillray, [84].
Goldsmith's "Vicar of Wakefield," [21], [61], [93];
"She Stoops to Conquer," [124].
Good Words, [28], [84], [88], [90], [91].
Gosse, Edmund, [xvi].
Gould, F. C., [102].
Goupil, [55];
Les Lettres et les Arts, [56].
Gourget, A. F., [61].
Goya, F., [xiv], [8], [20], [79], [80];
"Caprices," [80];
"Invasion," [80];
Bull-fights, [80].
Graham, Charles, [90], [127].
Graphic, [18], [34], [40], [65], [85], [92], [94], [96], [108].
Graphischen Kunste Die, [78].
Grasset, E., [63], [68].

Gray's, "Elegy," [24].
Green, Charles, [xxiv], [86], [101].
Green, W. T., [xxiv].
Greenaway, Kate, [86];
Children's Books, [87].
Gregory, E. J., [86].
Greiffenhagen, Maurice, [104].
Greiner, Otto, [77].
Greuze, [7].
Griset, Ernest, "Grotesques," [xxiv], [87].
"Gulliver's Travels," [93].
Guillaume, process and publisher, [56], [66].
"Guillaume" Series, [51], [62].
Guizot's "History of France," [60].
Hackländer, F., [78].
Haennen, T. von, [65].
"Half-tone" process,

[40].
Halkett, G. R., [102].
Hall, S. P., [86], [101], [112].
Hallward, Reginald, [108].
Hamerton, P. G., [81].
Harburger, [77].
Harding, J. D., [38], [110], [111].
Hardy, Thos., "Tess of the D'Urbervilles," [101].
Harper, C. G., [81].
Harper's "Illuminated Bible," [29].
Harper's Magazine, [xix], [29], [116].
Harral, H., [xxiii].
Harris's "Insects Injurious to Vegetation," [30], [31].
Hartrick, A. S., [104].
Harvey, William, [xxiv], [12];
Milton's "Poetical Works," [15], [16], [17], [18];
"Gardens, etc., of Zoological Society," [21], [24];
"Elegy" (Gray), [24];
"Arabian Nights," [24];
"Solace of Song," [24];
"Dentatus," [49], [88], [89].
Hassam, F. Childe, [126], [127].
Hatherell, W. H., [105].
Haug, Robert, [75].
Haydon's "Dentatus," [49].
Hendriksen, [48], [73].
Hengler, [77].
Henley, W. E., [xvi].
Hennessy, W. J., [xvi].
"Herbals," The, [37].
Herford, Oliver, [127].
Herkomer, Prof. H., [86];
Hardy's "Tess," [101].
"Histoire de Mobilier," [51].
"Histoire du Roi de Bohème," [18].
"Historical and Legendary Ballads," [94], [95], [102].
Hobby Horse, The, [108].
Hogarth, W., [7].
Holbein, Hans, [4], [7];
"Dance of Death," [34], [36].
Hole, W., [72], [111].
Holl, F., [86].
Homer, Winslow, [29].
Hooper, W. H., [xvi], [28], [48], [109].
Horne, Herbert, [108].
Horsley, G. C., [111].
Houghton, A. Boyd, [xvi], [27], [84], [86], [88], [90];
"Arabian Nights," [92];
Housman on his work, [92];
"Home Thoughts and Home Scenes," [92];
"Don Quixote," [92];
"Kuloff's Fables," [92];
Graphic drawings, [92];
"National Nursery Rhymes," [93];
"The North Coast," [94], [95], [101].
Housman, Laurence, [xvi], [92];
"Goblin Market," [106].
Huertas, [79].
Huet, Paul, [17], [20].
Hughes, Arthur, illustrations to Christina Rossetti's "Sing Song," [xxiv], [88], [96];
"Tom Brown's School-days," [96].
Hugo's, V., works, "Edition Nationale," [64].
Hunt, Holman, "Lady of Shalott," [88], [90].
"Hypnerotomachia," [4].
Ibels, [66].
Icke, H. J., [72].

Illumination, [3].
Illustracion Artistica, [71].
Illustracion Española y Americana, [71].
Illustrated London News, [27], [108].
Illustration, L', [51], [65].
Illustration, definition of, [1];
compared to art, [1], [2];
the old illustrator, [2];
the court painters, [2];
the subject and landscape painters, [2];
illumination of MSS., [3];
French illustration, [24];
modern development in, [33];
application of photography to, [34];
increase in its popularity, [34];
production of before the introduction of photography, [36];
French, [50-57];
decline of French work, [52];
decay due to publishers, [54];
Spanish, [71];
Dutch, [71], [72];
Belgian, Austrian, and Hungarian, [72];
Russian and Scandinavian, [73];
Danish, [73], [74];
German, [74], [75];
English, [82], [84];
revival in England, [96];
editors' bad judgments on, [97];
their bad influence, [97];
their ignorance, [90], [99];
evils of modern reproductions, [99];
ignorance of printers, [100];
modern copies of obsolete fads, [100];
colour printing, [109];
American, [113], [130];
reasons for American advance in, [116];
daily papers, [117];
future of modern, [131-134].
Illustrazion Italiana, L', [71].
Illustrirte Zeitung, [75].
Image, Selwyn, [108].
Indexing of artists' works, [xix], [xx].
Ingelow, Jean, "Poems," [94].
"International Society of Wood Engravers," [109].
Isabey, E., [17], [20].
Ispen, L. S., [124].
Ives' method of engraving, [40].
Jackson, Mason, "The Pictorial Press," [xviii], [32], [115].
Jacobi, C. T., [xvi].
Jacque, C., [17], [20];
"Vicar of Wakefield," [21].
Jacquemart, Jules, [51].
Jeanniot, P. G., [60].
Job, [66].
Johannot, Tony, [25].
Johannots, the Brothers, [17], [18].
Johnson, T., [129].
Johnstone, J. M., [xxiv].
Judge, [129].
Jüngling, Frederick, [48], [129].
Kaulbach, [76].
Keene, C., [28], [38], [39], [84], [89], [90], [104].
Keepsake, [13], [34].
Kepler, F., [129].
King, F. S., [129].
Kingsley's "Water Babies," [102].
Kingsley, Elbridge, [47], [48], [129].
Klinger, Max, [76];
his method, [77];
his "Apuleius," [77].
Knight, Charles, [24].
Koehler, S. R., [130].
Konewka, Paul, [76];
"Faust," [76].
Kreull, G., [48], [129].
Kreitzschmar, [25].
Kunst für Alle, [78].
Lacour, O., [xxiv].
La Farge, John, [29].
Lalauze, A., [64].
Lameyer, [79].
Lami, E., [23].
Landseer, Sir E., [24].
Lang, A., "The Library," [xviii], [81];
"Fairy Books," [106].
Langton, first use of photography for book illustration, [34].

Lanterne, La, [54].
Lathrop's "Spanish Vistas," [124].
Laurens, Jean Paul, [61].
Lautrec, H. T., [68].
La Vie Moderne, [51].
Lavoignat, [15], [17], [21], [24].
Lawless, M. J., [89].
Leech, John, [83], [84], [88], [89].
"Legend of the Portent," [89].
Legrand, L., [66].
Lehers, Max, [77].
Leighton, Brothers, [109].
Leighton, Sir F., [28], [89];
Cornhill "Gallery," [94], [95].
Leloir, M., [25], [61].
Lemaire, Mme., [62].
Lepère, A., [18], [47], [51], [69].
Le Sage's "Diable Boiteux," [21].
Les Lettres et les Arts, [56].
Leveille, [16], [24], [51].
Lhermitte, L., "La Vie Rustique," [61].
"Liber Studiorum," [27].
Lidia, La, [79].
Life, [126], [129].
Linnells, The, [10], [11];
"The National Gallery," [14].
Linton's "Engraving," [xviii];
on engraver and artist, [24], [28], [48], [86], [109].
Lithography, [38];
work by Prout, Harding, Roberts, Nash, [38];
revival in, [109];
Vanity Fair and chromo-lithography, [109];
photo-lithography, [109].
Low, Will. H., [126].
Lucena, Jiminez, [79].
Luders, Hermann, [75].
Lunel, F., [61].
Lungren, F., [126].
Lynch, Albert, "La Dame aux Camélias," [62].
Macbeth, R. W., [72], [111].
"Madame Chrysanthème," [62].
Magazin Pittoresque, [21].
Mahoney, T., "Scrambles amongst the Alps," [94], [101].
Mallows, C. E., [111].
Marchetti, [64].
Marie, Adrian, [65].
Marold, L., [57], [72], [78].
Mars, [66], [68].
May, Phil, [104];
"The Parson and the Painter," [104].
Meadows, Kenny, [88].
Meggendorfer, [77].
Meisenbach process, [40].
Meissonier, J. L. E., [8], [17], [20];
"Deux Joueurs," [21];
"Contes Remois," [24], [25], [50], [57], [60], [73], [74], [79].
Menzel, Adolph, [xx], [8], [24];
comparison with Bewick, [25];
"Life of Frederick the Great," [25];
"Paul et Virginie," [25], [73], [74];
his genius and work, [74], [75], [76], [88], [126].
Merson, Luc Ollivier, [64].
Metal, engraving on, [37].
Metcalfe, W. L., Stevenson's "The Wreckers," [128].
Métivet, L., [65].
Millais, Sir J. E., [28];
"St. Agnes' Eve," [88], [89];
"Parables," [90-92];
Cornhill "Gallery," [94];
Strahan's "Portfolio," [94].
Millar, H. R., [104].
Mitchell, G. C., [111].
Mitchell, J. A., Life, [129].
"Modern Painters," [85].
Monde Illustré, Le, [51].
Monnier, H., [17], [23].
Montalti, "Cera una Volta," [71].
Montbard, A., [108].
Monvel, Boutet de, [66].
Moran, Mrs. Mary Nimmo, [130].
Moran, Thomas and Peter, [30], [127], [128], [130].
Morin, Louis, [63].
Morris, William, [xvi], [108].

Morton, T., "Gulliver's Travels," [93].
Moxon's "Tennyson," [28], [88];
Macmillan's re-issue, [101].
Muckley, L. F., The Quest, [108].
Mulready, W., [24].
Murray, C. O., [111].
Myrbach, [54], [62], [72].
Nash, [38].
Nast, Thomas, [30].
Nesbit, [12].
Neue Lithographem, [77].
New, E. H., [108].
Newell, P., [127].
Newspapers, illustrated, [116], [117].
New York Daily Graphic, [117].
Niepce, [40].
North, J. W., [35], [93];
"Wayside Posies" and Ingelow's "Poems," [94].
Novello's "National Nursery Rhymes," [93].
Oberländer, [77].
"Odes and Sonnets," [91].
"Old Christmas," [86].
"Old Songs," [106].
"Omar Khayyam," [126].
Once a Week, [xix], [28], [84], [88-90].
Orrinsmith, H., [xvi], [12], [57].
Overbeck, [76].
Overend, W. H., [108].
Overlays used by Bewick, [xvi], [20], [21].
"Pablo de Ségovie," [51], [54], [61].
Paget, Wal, [105].
"Palace of Art, The," [88].
Pall Mall Gazette, [117].
Pall Mall Magazine, [xix].
Palmer, Samuel, [xxiv].
Pannemaker, [32], [69].
Papier Gillot, [71].
Paris Illustré, [51].
Parrish, Stephen, [130].
Parsons, Alfred, [106];
"Old Songs," "A Quiet Life," "Wordsworth's Sonnets," and "The Warwickshire Avon," [106], [124].
Parsons, Charles, [114].
Partridge, J. Bernard, [106].
Paterson, R., [xxiv].
Paul, Rowland, [111].
Pegram, F., [104].
"Pen Drawing and Pen Draughtsmen," [35].
Penny Magazine, [24].
Perea, D., [79].
Perugini, Carlo, [109].
Perugino's "The Holy Family," [10].
Petit Journal, Le, [54].
Pettie, J., [90].
"Phiz" (H. K. Browne), [83].
Photography applied to book illustration, [34];
Art Student, 1865, [35];
fairly general in 1870, [36];
photographing of drawings in line upon a metal plate or gelatine film, [40];
"half-tone" process, [40];
Meisenbach process, [40];
Ives' method, [40].
Piaud, [17].
Pickering's "Alphabet," [19].
"Pictures of English Landscape," [91].
"Pictures in Words," [91].
"Picturesque America," [31], [127].
"Picturesque Europe," [31].
Pille, Henri, [61].
Pinturicchio, [3].
Pinwell, G. J., [27], [35], [39], [86], [88], [90], [92];
"Goldsmith's Works," [93];
"Wayside Posies" and Ingelow's "Poems," [94];
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Piranesi, [7].
Pisan, [17].

Pissarro, L., [105].
Pite, A. B., [111].
Plantin Museum, [36].
Platt, Charles A., [130].
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Poirret, [17].
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[61].
Pollard, A. W., [xv].
Pons, Angel, [79].
Powell, Miss C. A., [129].
Poynter, E. J., [95].
Prado, The, [80].
Pranishnikoff, [73].
Premières Illustrées, Les, [61].
Pre-Raphaelites, [xxii], [76], [88], [98].
Prior, Melton, [112].
"Process," art of, [41];
Meisenbach, [40];
comparison with wood-engraving, [41-43];
method of, [42];
application of photography, [42];
for "line" work, [42];
use of swelled gelatine, [42];
photogravure of Amand Durand, [44];
black-and-white drawings reproduced in, [44];
wash reproductions by, [44];
advantages of, over engraving, [45];
flat washes, [45];
objections to, [45];
object of, [46];
not a "mechanical makeshift," [46];
answers to criticisms on, [46];
bound to supersede wood-engraving, [48];
Gillotage, [51];
Guillaume half-tone process, [62];
bad process work, [96].
Proctor, J., [102].
Prout, S., [38], [110], [111].
Puck, [129].
Punch, [27], [106], [129].
Pyle, Howard, [124], [125].
Pyle, Miss Katharine, [127].
"Quatre fils d'Aymon," [63].
Quest, The, [108].
"Quiet Life," [106].
Quotidien Illustré, [117].
Raffaëlli, J. F., [65].
Raffet, [17], [60].
Railton, Herbert, [105].
Rainey, W., [108].
Ramos, F. Garcia y, "La Tierra di Maria Santissima," [79].
Ratdolt, E., [5].
Raven-Hill, L., [104], [115].
Read, S., [88], [112].
Redwood, A. C., [126], [128].
Reed, E. T., [106].
Régamey, Felix, [65].
Reid, Sir George, [106];
"Johnny Gibb," "The River Tweed and the River Clyde," [107].
Reinecke, René, [78].
Reinhart, G. S., "Spanish Vistas," [124].
Rembrandt, [2], [3];
Etchings of, [4], [88].
Remington, F., "Hunting Trips of a Ranchman," [126].
Renouard, Paul, [65].
Répine, [73].
Retzche's "Shakespeare," [76].
Revue Illustré, La, [51].
Ricketts, Charles, [105];
"Daphnis and Chloe," [105].
Rico, [50], [71], [79], [126].
Riou, [65].
Roberts, C., [xxiii].
Roberts, D., [38].
Robida, "Rabelais," [63].
Rochegrosse, G., [61].
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Rogers' "Italy," [38];
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Rops, Félicien, [63].
Rossetti, C., "Goblin Market," [106].
Rossetti, D. G., [xvii], [27], [35], [85];
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his influence and motives, [98].
Rossi, [54], [62], [128].

Rowlandson, [84].
Rubens, sketches for title-pages, [4], [11].
Ruskin, J., [28], [85], [93].
Russell, W. W., [104].
Ryland, Henry, [108].
Sala, G. A., [89].
Sambourne, Linley, [101];
"Water Babies," [102];
Punch work, [102].
Sandys, Frederick, [xv], [27];
"Amor Mundi," [35], [39], [84], [88-90];
Cornhill "Gallery," [94];
"Legendary Ballads," [95], [101], [108].
Savage, Reginald, [105].
Schlittgen, H., [78].
Schwæbe, C., [63], [77].
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Scribner's Magazine, [116].
Séon, [64].
Seymour, G. L., [105].
Shannon, C. H., [105];
"Daphnis and Chloe," [105].
Shepherd, W. L., [30], [126].
Shields, Frederick, [xvi], [39], [84];
Defoe's "Plague," [101].
Shilling Magazine, [28], [35], [84], [88], [90].
Short, Frank, [72], [111].
Simpson, William, [112].
Singer, Dr. Hans, [xv].
Small, W., [27], [101], [103].
Smedley, W. T., "Sketches of American Watering-places," [124].
Smeeton, [18].
Smillie, J. D., [130].
Smith, F. Hopkinson, [127].
"Sociétés Anonymes," [54].
"Solace of Song," [24].
Solomon, S., [95].
Sourel, "Insects Injurious to Vegetation," [31].
South Kensington Museum, [xv], [xix], [xx], [36].
"Spanish Scenes," [79].
Spectator, [xviii].
Speed, Lancelot, [106].
Spielmeyer, W., [xxiv].
"Spy," [109].
St. Stephen's Review, [104].
Stacey, W. S., [108].
Stainforth, M., [xxiv].
Staniland, C. J., [108].
Stationers' Hall, Exhibition of Wood-Engravings, March, 1895, [xxiii].
Steinhausen, W., [77].
Steinlen, [57], [66];
Bruant's "Dans la Rue," [68].
Stephens, Mrs. Alice B., [127].
Sterne's "Sentimental Journey," [61].
Stevenson's "The Wreckers," [128].
"Stones of Venice," [85].
Stothard, T., [9], [10];
"The Pilgrim's Progress," [11];
Richardson's "Novels," [11];
Rogers' "Poems," [11-13], [18];
"Alphabet," [19], [24].
Strahan, A., [xvi].
Strang, William, [111].
Strange, E. F., [xv].
Stroebel, [78].
Stück, Franz, [77].
Sullivan, E. J., [104].
Sullivan, J. F., [102].
Sumner, Heywood, [108].
Sunday Magazine, [90].
Supplement Littéraire et Artistique, [54].
Swain, J., [28], [35], [90], [109].
"Tartarin de Tarascon," [52], [61].
Taylor, Tom, [83];
"Pictures in Words," [91].
Tegner, Hans, [73];
drawings for Holberg's "Comedies," [73].

Tenniel, Sir J., [28], [89], [92];
"Alice in Wonderland," "Legendary Ballads," [102].
Thackeray, W. M., [12], [83], [89];
"Roundabout Papers," [90].
Thoma, H., [77].
Thomas, G. H., [xxiv].
Thomas, W. L., [115].
Thompson, Charles, [14], [15], [16].
Thompson, John, Hogarth's Works, [13].
Thompsons, the, [12];
Cruikshank's Work, [24].
Thomson, D. C., [115].
Thomson, Hugh, [105].
Thulstrup, T. de, [127].
Thurston's Butler's "Hudibras," [19], [20];
"Tasso," [21], [24].
Tilt's, "Gardens and Menageries of the Zoological Society Delineated," [21].
Tinkey, J., [129].
"Tierra di Maria Santissima, La," [79].
Titian's "Ariadne and Bacchus," [14].
Tofani, [64].
"Tom Brown's School-days," [96].
Toudouze, Edouard, [62].
Townsend, Horace, [xvi].
Trevès, Fratelli, [70].
Tristram's "Coaching Days and Coaching Ways," [105].
Ueber Land und Meer, [75].
Unger, J. F. G., [75].
Unzelmann, [25], [74].
Uzanne, Octave, [56], [62].
Valloton, F., [69];
"Enterrement en Province," [69].
Vanity Fair, [109].
Vebers, the, [64].
Vedder, Elihu, "Omar Khayyam," [126].
Velasquez, portraits of, [2], [80].
Veronese, [2], [3].
Vierge, Daniel, [19], [51], [54], [61], [71], [79], [80], [126].
"Vie Rustique, La," [61].
Villiers, F., [112].
Vinne, Theodore de, [120].
Vizetelly, H., [27].
Vogels, the, [25], [72], [74], [78].
Walker, Emery, [xvi].
Walker, Fred., [27], [39], [88];
"Adventures of Philip," [90], [93];
Cornhill "Gallery," [94];
"English Rustic Pictures," [95].
War Correspondents and their work, [112].
"Warwickshire Avon," [106].
Watson, C. J., [111].
Watson, J. D., [92].
Watteau, [7].
Way, Messrs., [109].
"Wayside Posies," [94].
Weir, Harrison, [xv], [xxiv], [26], [30], [31], [103].
Whall, Christopher, [108].
Whistler, J. M. N., [xxii];
in Daily Chronicle, [xxiii], [84], [93];
"Legendary Ballads," [95];
"Catalogue of Blue and White Nankin Porcelain," [95], [101].
White, Gleeson, [xiv].
Whittingham, C., [21].
Whymper, [90];
"Scrambles amongst the Alps," [94], [101].
Wiles, Irving R., [128].
Wilkie, Sir David, [24].
Willette, A., [66], [68].
Williamses, the, [12], [15], [24].
Wilmot's, "Sacred Poetry," [xxiv].
Wilson, Edgar, [104].
Wilson, Richard, [11].
Wilson, T. Walter, [108].
Wood-engraving, [xvi];
early English, [12-14];
French prize for, [14];
rise of in France, [16];
Bewick's influence, [12], [17];
disappearance of, [37];
methods of wood-engraving shops, [38];
bad influence on the artists, [39];
disappearance of the "wood-choppers" again, [39];
replaced by photography, [40];
progression of the art of, [41];
advantages claimed for, [41];
comparison to "process" work, [41-43];
real duties of the engraver, [47];
three great periods, [47];
Japanese wood-cutting, [48];
no danger in the hands of good artists, [48];
modern facsimile wood-engraving, [48];
bound to be superseded by "process" work, [48];
bright outlook for, [49];
revival in France, Germany, etc., [57], [58], [75];
method of publication of the Dalziel books, [91];
"International Society of Wood-Engravers," [109];
American School of, [114-116];
facsimile work in America, [115].
Wolf, Henry, [129].
Woods, H., [86].
Woodville, R. Caton, [108].
Woodward, J. D., "Picturesque Europe and America," [31], [127], [128].
Wollen, W. B., [108].
Wordsworth's "Sonnets," [106].
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Worf, A., [xxiv].
Wright, [21].
Wyllie, W. L., [108].
Yellow Book, [xxii], [105].
Zogbaum, Rufus, [128].
Zola's "Le Rêve," [63].

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