To this period of Beeston's imprisonment I should refer the puzzling Epilogue of Brome's The Court Beggar:
There's wit in that now. But this small Poet vents none but his own, and his by whose care and directions this Stage is govern'd, who has for many years, both in his father's days, and since, directed Poets to write and Players to speak, till he trained up these youths here to what they are now. Aye, some of 'em from before they were able to say a grace of two lines long to have more parts in their pates than would fill so many Dry-vats. And to be serious with you, if after all this, by the venomous practice of some, who study nothing more than his destruction, he should fail us, both Poets and Players would be at loss in reputation.
His "destruction" was wrought, nevertheless, for as a result of his indiscretion he was deposed from his position as Governor of the King's and Queen's Company, and William Davenant was appointed in his place. In the Office-Book of the Lord Chamberlain under the date of June 27, 1640,[611] appears the following entry with the heading, "Mr. Davenant Governor of the Cockpit Players":
Whereas in the playhouse or theatre commonly called the Cockpit, in Drury Lane, there are a company of players authorized by me (as Lord Chamberlain to His Majesty) to play or act under the title of The King's and Queen's Servants, and that by reason of some disorders lately amongst them committed they are disabled in their service and quality: These are therefore to signify that by the same authority I do authorize and appoint William Davenant, Gent., one of Her Majesty's servants, for me and in my name to take into his government and care the said company of players, to govern, order, and dispose of them for action and presentments, and all their affairs in the said house, as in his discretion shall seem best to conduce to His Majesty's service in that quality. And I do hereby enjoin and command them, all and every of them, that are so authorized to play in the said house under the privilege of His or Her Majesty's Servants, and every one belonging as prentices or servants to those actors to play under the same privilege, that they obey the said Mr. Davenant and follow his orders and directions, as they will answer the contrary; which power and privilege he is to continue and enjoy during that lease which Mrs. Elizabeth Beeston, alias Hucheson, hath or doth hold in the said playhouse, provided he be still accountable to me for his care and well ordering the said company.[612]
Under the direction of Davenant the company acted at the Cockpit until the closing of the theatres two years later.
The history of the playhouse during the troubled years that followed is varied. In the churchwarden's account of St. Giles's Parish is found the entry: "1646. Paid and given to the teacher at the Cockpit of the children, 6d."[613] Apparently the old playhouse was then being temporarily used as a school.
Wright, in his Historia Histrionica, tells us that at the outbreak of the civil war most of the actors had joined the royal army and served His Majesty, "though in a different, yet more honorable capacity." Some were killed, many won distinction; and "when the wars were over, and the royalists totally subdued, most of 'em who were left alive gathered to London, and for a subsistence endeavored to revive their old trade privately. They made up one company out of all the scattered members of several, and in the winter before the King's murder, 1648, they ventured to act some plays, with as much caution and privacy as could be, at the Cockpit." John Evelyn records in his Diary, under the date of February 5, 1648: "Saw a tragicomedy acted in the Cockpit after there had been none of these diversions for many years during the war." Trouble, however, was brewing for these daring actors. As Wright records: "They continued undisturbed for three or four days, but at last, as they were presenting the tragedy of The Bloody Brother (in which Lowin acted Aubery; Taylor, Rollo; Pollard, the Cook; Burt, Latorch; and, I think, Hart, Otto), a party of foot-soldiers beset the house, surprised 'em about the middle of the play, and carried 'em away in their habits, not admitting them to shift, to Hatton House, then a prison, where, having detained them some time, they plundered them of their clothes, and let 'em loose again."[614]