This person, Richard Heton, who describes himself as "one of the Sewers of Her Majesty's Chamber Extraordinary," had now obtained control of Salisbury Court, and had become manager of its affairs.[643] He apparently induced the Company of His Majesty's Revels to leave the Fortune and return to Salisbury Court, for in 1635 they acted there Richard Brome's The Sparagus Garden. But their career at Salisbury Court was short; on May 12 of the following year all playhouses were closed by the plague, and acting was not allowed again for nearly a year and a half. During this long period of inactivity, the Company of His Majesty's Revels was largely dispersed.
When at last, on October 2, 1637, the playhouses were allowed to open, Heton found himself with a crippled troupe of actors. Again the Earl of Dorset interested himself in the theatre. Queen Henrietta's Company, which had been at the Cockpit since 1625, having "disperst themselves," Dorset took "care to make up a new company for the Queen";[644] and he placed this new company under Heton at Salisbury Court. Heton writes: "How much I have done for the upbuilding of this Company, I gave you some particulars of in a petition to my Lord of Dorset." This reorganization of the Queen's Men explains, perhaps, the puzzling entry in Herbert's Office-Book, October 2, 1637: "I disposed of Perkins, Sumner, Sherlock, and Turner, to Salisbury Court, and joyned them with the best of that company."[645] Doubtless Herbert, like Dorset, was anxious for the Queen to have a good troupe of players. This new organization of the Queen's Men continued at Salisbury Court without interruption, it seems, until the closing of the playhouses in 1642.[646]
In 1649 John Herne, son of the John Herne who in 1629 had secured a lease on the property for sixty-one years, made out a deed of sale of the playhouse to William Beeston,[647] for the sum of £600. But the document was not signed. The reason for this is probably revealed in the following passage: "The playhouse in Salisbury Court, in Fleet Street, was pulled down[648] by a company of soldiers set on by the sectaries of these sad times, on Saturday, the 24 day of March, 1649."[649]
Three years later, however, Beeston, through his agent Theophilus Bird, secured the property from Herne at the reduced price of £408: "John Herne, by indenture dated the five and twentieth day of May, 1652, for £408, to him paid by Theophilus Bird, did assign the premises and all his estate therein in trust for the said William Beeston."[650]
Early in 1660 Beeston, anticipating the return of King Charles, and the reëstablishment of the drama, decided to put his building back into condition to serve as a playhouse; and he secured from Herbert, the Master of the Revels, a license to do so.[651] On April 5, 1660, he contracted with two carpenters, Fisher and Silver, "for the rebuilding the premises"; and to secure them he mortgaged the property. The carpenters later swore that they "expended in the same work £329 9s. 4d."[652]
The reconstructed playhouse was opened in 1660, probably as early as June, with a performance of The Rump, by Tatham. It was engaged by Sir William Davenant for his company of actors until his "new theatre with scenes" could be erected in Lincoln's Inn Fields.[653] The ubiquitous Pepys often went thither, and in his Diary gives us some interesting accounts of the performances he saw there. On March 2, 1661, he witnessed a revival of Thomas Heywood's Love's Mistress, or The Queen's Masque before a large audience:
After dinner I went to the Theatre [i.e., Killigrew's playhouse] where I found so few people (which is strange, and the reason I did not know) that I went out again; and so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Masque, wherein are some good humours: among others a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it.
Again, on March 26, he found Salisbury Court crowded:
After dinner Mrs. Pierce and her husband, and I and my wife, to Salisbury Court, where coming late, he and she light of Col. Boone, that made room for them; and I and my wife sat in the pit, and there met with Mr. Lewes and Tom Whitton, and saw The Bondman[654] done to admiration.