[53.] —— William Kempe. (The Modern Language Review, iv, 88.)
[*54.] Chambers, E.K. and W.W. Greg. Dramatic Records from the Privy Council Register, 1603-1642. (The Malone Society's Collections, i, 370. For the records prior to 1603 see No. [87]. Cf. also No. [260].)
[*55.] —— Dramatic Records of the City of London. The Remembrancia. (The Malone Society's Collections, i, 43. See also No. [224].)
[*56.] —— Royal Patents for Players. (The Malone Society's Collections, i, 260.)
[57.] Charlanne, L. L'Influence Française en Angleterre au xviie Siecle, Le Théâtre et la Critique. Paris, 1906.
[*58.] Child, H. The Elizabethan Theatre. (The Cambridge History of English Literature, vol. vi, chap. x.)
[59.] Clapham, A.W. On the Topography of the Dominican Priory of London. (Archæologia, lxiii, 57. See also Nos. [2], [61].)
[*60.] —— The Topography of the Carmelite Priory of London. (The Journal of the British Archæological Association, New Series, xvi, 15. See also No. [61].)
[61.] Clapham, A.W. and W.H. Godfrey. Some Famous Buildings and their Story. Westminster, [1913]. (Contains Godfrey's study of the Fortune contract, and, in abbreviated form, the two articles by Clapham noted above, Nos. [59], [60]. See also Nos. [8], [38], [116], [129].)
[62.] Clark, A. Players or Companies on Tour 1548-1630. (Notes and Queries, x Series, xii, 41.)