[331] Wallace, The Children of the Chapel at Blackfriars, p. 84, note 4.
[332] On December 29, 1601, Sir Dudley Carleton wrote to his friend John Chamberlain: "The Queen dined this day privately at My Lord Chamberlain's. I came even now from the Blackfriars, where I saw her at the play with all her candidæ auditrices." From this it has been generally assumed that Elizabeth visited the playhouse in Blackfriars to see the Children act there; and Mr. Wallace, in his The Children of the Chapel at Blackfriars, pp. 26, 87, 95-97, lays great emphasis upon it to show that the Queen was directly responsible for establishing and managing the Children at Blackfriars. But the assumption that the Queen attended a performance at the Blackfriars Playhouse is, I think, unwarranted. The Lord Chamberlain at this time was Lord Hunsdon, who lived "in the Blackfriars." No doubt on this Christmas occasion he entertained the Queen with a great dinner, and after the dinner with a play given, not in a playhouse, but in his mansion. (Lord Cobham, who was formerly Lord Chamberlain, and who also lived in Blackfriars, had similarly entertained the Queen with plays "in Blackfriars"; cf. also The Malone Society's Collections, ii, 52.) Furthermore, the actors on this occasion were probably not the Children of the Chapel, as Mr. Wallace thinks, but Lord Hunsdon's own troupe. Possibly one of Shakespeare's new plays (Hamlet?) was then presented before the Queen for the first time.
[333] Fleay, op. cit., p. 248.
[334] We find in Henslowe's Diary a player named William Kendall, but we do not know that he was related to Thomas.
[335] The agreements remind one of the organization of the Globe. It seems clear that Kirkham, Rastell, and Kendall held their moiety in joint tenancy.
[336] Fleay, op. cit., pp. 211-13; 216; 220.
[337] Ibid., p. 220.
[338] Ibid., p. 217.
[339] Fleay, op. cit., p. 235.
[340] For the patent, commonly misdated January 30, see The Malone Society's Collections, i, 267. Mr. Wallace, in The Century Magazine (September, 1910, p. 747), says that the company secured its patent "through the intercessions of the poet Samuel Daniel." It is true that the Children of Her Majesty's Royal Chamber of Bristol secured their patent in 1615 at the intercession of Daniel, but I know of no evidence that he intervened in behalf of the Blackfriars troupe.