[491] Hazlitt's Dodsley, xv, 408. If the Kirkham picture represents the interior of any playhouse, it more likely represents the Cockpit, which was standing at the time of the Restoration.
[492] The Malone Society's Collections, i, 270.
[493] Dekker's Works (ed. Grosart), iv, 210-11. I cannot understand why Murray (English Dramatic Companies, i, 152-53) and others say that Dekker refers to the Fortune, the Globe, and the Curtain. His puns are clear: "Fortune must favour some ... the whole world must stick to others ... and a third faction must fight like Bulls."
[494] Greene's Tu Quoque, Hazlitt's Dodsley, xi, 240. In May, 1610, there was "a notable outrage at the Playhouse called the Red Bull"; see Middlesex County Records, ii, 64-65.
[495] Malone, Variorum, iii, 223; Young, The History of Dulwich College, ii, 51; Warner, Catalogue, p. 165; Collier, Memoirs of Edward Alleyn, p. 107.
[496] The play is not otherwise known; a play with this title, however, was entered on the Stationers' Register in 1653.
[497] For details of this change, and of the quarrels that followed, see the [chapter] on the Cockpit.
[498] The name is also given, incorrectly, as Richard Gill.
[499] Jeaffreson, Middlesex County Records, ii, 165-66; 175-76.
[500] Malone, Variorum, iii, 62; The Malone Society's Collections, i, 284.