The Council, however, did not stop with this. It ordered the arrest of the authors of the play and also of the chief actors who took part in its performance. Nashe saved himself by precipitate flight, but his lodgings were searched and his private papers were turned over to the authorities. Robert Shaw and Gabriel Spencer, as leaders of the troupe, and Ben Jonson, as one of the "inferior players" who had a part in writing the play,[259] were thrown into prison. The rest of the company hurried into the country, their speed being indicated by the fact that we find them acting in Bristol before the end of July.
Some of these events are referred to in the following letter, addressed by the Privy Council "to Richard Topclyfe, Thomas Fowler, and Richard Skevington, esquires, Doctor Fletcher, and Mr. Wilbraham":
Upon information given us of a lewd play that was played in one of the playhouses on the Bankside, containing very seditious and slanderous matter, we caused some of the players [Robert Shaw, Gabriel Spencer, and Ben Jonson[260]] to be apprehended and committed to prison, whereof one of them [Ben Jonson] was not only an actor but a maker of part of the said play. Forasmuch as it is thought meet that the rest of the players or actors in that matter shall be apprehended to receive such punishment as their lewd and mutinous behaviour doth deserve, these shall be therefore to require you to examine those of the players that are committed (whose names are known to you, Mr. Topclyfe), what is become of the rest of their fellows that either had their parts in the devising of that seditious matter, or that were actors or players in the same, what copies they have given forth[261] of the said play, and to whom, and such other points as you shall think meet to be demanded of them, wherein you shall require them to deal truly, as they will look to receive any favour. We pray you also to peruse such papers as were found in Nashe his lodgings, which Ferrys, a messenger of the Chamber, shall deliver unto you, and to certify us the examinations you take.[262]
This unfortunate occurrence destroyed Langley's dream of a successful year. It also destroyed the splendid Pembroke organization, for several of its chief members, even before the inhibition was raised, joined the Admiral's Men. On August 6 Richard Jones went to Henslowe and bound himself to play for two years at the Rose, and at the same time he bound his friend Robert Shaw, who was still in prison; on August 10 William Bird came and made a similar agreement; on October 6 Thomas Downton did likewise. Their leader, Gabriel Spencer, also probably had an understanding with Henslowe, although he signed no bond; and upon his release from the Marshalsea he joined his friends at the Rose.[263]
In the meantime the Queen's anger was abating, and the trouble was blowing over. The order to pluck down all the public playhouses was not taken seriously by the officers of the law, and Henslowe actually secured permission to reopen the Rose on October 11. The inhibition itself expired on November 1, but the Swan was singled out for further punishment. The Privy Council ordered that henceforth license should be granted to two companies only: namely, the Admiral's at the Rose, and the Chamberlain's at the Curtain. This meant, of course, the closing of the Swan.
In spite of this order, however, the members of Pembroke's Company remaining after the chief actors had joined Henslowe, taking on recruits and organizing themselves into a company, began to act at the Swan without a license. For some time they continued unmolested, but at last the two licensed companies called the attention of the Privy Council to the fact, and on February 19, 1598, the Council issued the following order to the Master of the Revels and the Justices of both Middlesex and Surrey:
Whereas license hath been granted unto two companies of stage players retayned unto us, the Lord Admiral and Lord Chamberlain ... and whereas there is also a third company who of late (as we are informed) have by way of intrusion used likewise to play ... we have therefore thought good to require you upon receipt hereof to take order that the aforesaid third company may be suppressed, and none suffered hereafter to play but those two formerly named, belonging to us, the Lord Admiral and Lord Chamberlain.[264]
Thus, after February 19, 1598, the Swan stood empty, so far as plays were concerned, and we hear very little of it during the next few years. Indeed, it never again assumed an important part in the history of the drama.
In the summer of 1598[265] it was used by Robert Wilson for a contest in extempore versification. Francis Meres, in his Palladis Tamia, writes: "And so is now our witty Wilson, who for learning and extemporall wit in this faculty is without compare or compeere, as, to his great and eternal commendations, he manifested in his challenge at the Swan on the Bankside."