The Globe, the glory of the Bank,
Which, though it were the fort of the whole parish,
Flanked with a ditch, and forced out of a marish,
I saw with two poor chambers taken in,
And razed ere thought could urge this might have been!
See the world's ruins! nothing but the piles
Left—and wit since to cover it with tiles.[410]
The players were not seriously inconvenienced, for they could shift to their other house, the Blackfriars, in the city. The owners of the building, however, suffered a not inconsiderable pecuniary loss. For a time they hesitated about rebuilding, one cause of their hesitation being the short term that their lease of the ground had to run. Possibly a second cause was a doubt as to the ownership of the ground, arising from certain transactions recorded below. In October, 1600, Sir Nicholas Brend had been forced to transfer the Globe estate, with other adjacent property, to Sir Matthew Brown and John Collett as security for a debt of £2500; and a few days after he died. Since the son and heir, Matthew Brend, was a child less than two years old, an uncle, Sir John Bodley, was appointed trustee. In 1608 Bodley, by unfair means, it seems, purchased from Collett the Globe property, and thus became the landlord of the actors. But young Matthew Brend was still under age, and Bodley's title to the property was not regarded as above suspicion.[411]
MERIAN'S VIEW OF LONDON
A section from Merian's View, showing the Bankside playhouses. This View, printed in Ludvig Gottfried's Neuwe Archontologia Cosmica (Frankfurt am Mayn, 1638), represents London as it was about the year 1612, and was mainly based on Visscher's View, with some additions from other sources.
Four months after the burning of the Globe, on October 26, 1613, Sir John Bodley granted the proprietors of the building a renewal of the lease with an extension of the term until December 25, 1635.[412] But a lease from Bodley alone, in view of the facts just indicated, was not deemed sufficient; so on February 14, 1614, Heminges, the two Burbages, and Condell visited the country-seat of the Brends, and secured the signature of the young Matthew Brend, and of his mother as guardian, to a lease of the Globe site with a term ending on December 25, 1644.
Protected by these two leases, the Globe sharers felt secure; and they went forward apace with the erection of their new playhouse. They made an assessment of "£50 or £60" upon each share.[413] Since at this time there were fourteen shares, the amount thus raised was £700 or £840. This would probably be enough to erect a building as large and as well equipped as the old Globe. But the proprietors determined upon a larger and a very much handsomer building. As Howes, the continuer of Stow's Annals, writes, "it was new builded in far fairer manner than before"; or as John Taylor, the Water-Poet, puts it:
As gold is better that's in fire tried,
So is the Bankside Globe that late was burn'd.[414]
Naturally the cost of rebuilding exceeded the original estimate. Heminges tells us that on one share, or one-fourteenth, he was required to pay for "the re-edifying about the sum of £120."[415] This would indicate a total cost of "about" £1680. Heminges should know, for he was the business manager of the organization; and his truthfulness cannot be questioned. Since, however, the adjective "about," especially when multiplied by fourteen, leaves a generous margin of uncertainty, it is gratifying to have a specific statement from one of the sharers in 1635 that the owners had "been at the charge of £1400 in building of the said house upon the burning down of the former."[416] Heminges tells us that "he found that the re-edifying of the said playhouse would be a very great charge," and that he so "doubted what benefit would arise thereby" that he actually gave away half of one share "to Henry Condell, gratis."[417] But his fears were unfounded. We learn from Witter that after the rebuilding of the Globe the "yearly value" of a share was greater "by much" than it had been before.[418]