CHAPTER XVI
THE HOPE
ON August 29, 1611, Henslowe became manager of the Lady Elizabeth's Men. Having agreed among other things to furnish them with a playhouse,[540] and no longer being in possession of the Rose, he rented the old Swan and maintained them there throughout the year 1612.
In March of the following year, 1613, he entered into a partnership with Philip Rosseter (the manager of the private playhouse of Whitefriars), and "joined" the Lady Elizabeth's Men with Rosseter's excellent troupe of the Queen's Revels. Apparently the intention of Henslowe and Rosseter was to form a company strong enough to compete on equal terms with the King's Men. In imitation of the King's Men, who used the Globe as a summer and the Blackfriars as a winter home, the newly amalgamated company was to use the Swan and the Whitefriars.[541] And the chief actor of the troupe, corresponding to Richard Burbage of the King's Men, was to be Nathaniel Field, then at the height of his powers:
Cokes. Which is your Burbage now?
Leatherhead. What mean you by that, sir?
Cokes. Your best actor, your Field.
Littlewit. Good, i' faith! you are even with me, sir.[542]
Among their playwrights were Ben Jonson, Philip Massinger, John Fletcher, and Robert Daborne, not to mention Field, who in addition to acting wrote excellent plays.
If it was the purpose of Henslowe and Rosseter to compete with the Globe Company in a winter as well as in a summer house, that purpose was endangered by the fact that Rosseter's lease of his private theatre expired within a year and a half, and could not be renewed. Rosseter and Henslowe, as pointed out in the [preceding chapter], seem to have attempted to erect in Whitefriars a winter home for their troupe; so, at least, I have interpreted the curious entry in Sir George Buc's Office Book: "July 13, 1613, for a license to erect a new playhouse in the Whitefriars, &c. £20."[543] The attempt, however, was foiled, probably by the strong opposition of the inhabitants of the district.