A few minutes sufficed to recall the sculptor to his senses. He at first gazed wildly upon the still suspended body, so painfully recalled to life by the rough venesection of the hangman and the subsequent friction of anointing his body to prevent the adhesion of the plaster.
“You need not fear now,” said Dr. Carnell; “I assure you he is dead.”
“But he was alive, surely!”
“Only for a moment, and even that scarcely to be called life—mere muscular contraction, my dear sir, mere muscular contraction.”
The sculptor resumed his labor. The body was girt at various circumferences with fine twine, to be afterward withdrawn through a thick coating of plaster, so as to separate the various pieces of the mould, which was at last completed; and after this Dr. Carnell skilfully flayed the body, to enable a second mould to be taken of the entire figure, showing every muscle of the outer layer.
The two moulds were thus taken. It is difficult to conceive more ghastly appearances than they presented. For sculptor’s work they were utterly useless; for no artist except the most daring of realists would have ventured to indicate the horrors which they presented. Fiddyes refused to receive them. Dr. Carnell, hard and cruel as he was, for kindness’ sake, in his profession, was a gentle, genial father of a family of daughters. He received the casts, and at once consigned them to a garret, to which he forbade access. His youngest daughter, one unfortunate day, during her father’s absence, was impelled by feminine curiosity—perhaps a little increased by the prohibition—to enter the mysterious chamber.
Whether she imagined in the pallid figure upon the cross a celestial rebuke for her disobedience, or whether she was overcome by the mere mortal horror of one or both of those dreadful casts, can now never be known. But this is true: she became a maniac.
The writer of this has more than once seen (as, no doubt, have many others) the plaster effigies of Peter Starke, after their removal from Dr. Carnell’s to a famous studio near the Regent’s Park. It was there that he heard whispered the strange story of their origin. Sculptor and surgeon are now both long since dead, and it is no longer necessary to keep the secret of the two plaster casts.