“I say, Reginald,” said David Arden softly to his brother, “I must run down and pay Martha Tansey my usual visit. She's in her room, I suppose. I'll steal away and return quietly.”
And so he was gone. He closed the door softly behind him, and slowly descended the wide staircase, with many vague conjectures and images revolving in his mind. He paused at the great window on the landing, and looked out upon the solemn and familiar landscape. A brilliant moon was high in the sky, and the stars glimmered brightly. His hand was on the window as he looked out, thinking.
Uncle David was a man impulsive, prompt, sanguine—a temperament, in short, which, directed by an able intellect, would have made a good general. When an idea had got into his head, he could not rest until he had worked it out. On the whole, throughout his life these fits of sudden and feverish concentration had been effective, and aided his fortunes. It is, perhaps, an unbusiness-like temperament; but commercial habits and example had failed to control that natural ardour, and, when once inflamed, it governed his actions implicitly.
An idea, very vague, very little the product of reason, had now taken possession of his brain, and he relied upon it as an intuition. He had been thinking over it. It first warmed, then simmered, then, as it were, boiled. The process had been one of an hour and more, as he sat at his brother's table and took his share in the conversation. When the steam got up and the pressure rose to the point of action, forth went Uncle David to have his talk with his early friend Tansey. He stopped, as I have said, at the great window on the staircase, and looked out and up. The moon was splendid; the stars were glimmering brightly; they looked down like a thousand eyes set upon him, to watch the prowess and perseverance of the man on whom fate had imposed a mission.
Some idea like this seized him, for, like many men of a similar temperament, he had an odd and unconfessed vein of poetry in his nature. He had looked out and up in a listless abstraction, and the dark heaven above him, brilliant with its eternal lights, had for a moment withdrawn and elevated his thoughts as if he had entered a cathedral.
“What specks and shadows we are, and how eternal is duty! And if we are in another place to last like those unfailing lights—to become happy or wretched, and, in either state, indestructible for ever—what signify the labour and troubles of life, compared with that by which our everlasting fate is fixed? God help us! Am I consulting revenge or conscience in pursuing this barren inquiry? Do I mistake for the sublime impulse of conscience a vulgar thirst for blood? I think not. I never harboured malice; I hate punishing people. But murder is a crime against God himself, respecting which he imposes duties upon man, and seconds them by all the instincts of affection. Dare I neglect them, then, in the case of poor loving Harry, my brother?”
The drawing-room door had been opened a little, the night being sultry, and through it now came the clear tones of a well-taught baritone. It was singing a slow and impassioned air, and its tones, though sweet, chilled him with a strange pain. It seemed like instinct that told him it was the stranger's voice. One moment's thought would have proved it equally. There was no one else present to suspect but Vivian Darnley, and he was no musician; but to David Arden it seemed that if a hundred people were there he should have felt it all the same, and intuitively recognised it as Longcluse's voice.
“What is it in that voice which is so hateful? What is it in that passion which sounds insincere? What gives to those sweet tones a latent discord, that creeps so coldly through my nerves?”
So thought David Arden, as, with one hand still upon the window-sash, he listened and turned toward the open door, with a frown akin to one of pain.
Spell-bound, he listened till the song was over, and sighed and shook his ears with a sort of shudder when the music ceased.