“Here is a chair, Monsieur Arden; but you can hardly see it until your eyes have grown a little accustomed to our crépuscula.”
This was true enough, for David Arden, though he saw him advance a step or two, could not have known what he held in the hand that was in shadow. The sound, indeed, of the legs of the chair, as he set it down upon the floor, he heard.
“I should make you an apology, Mr. Arden, if I were any longer in my own home, which I am not, although this is still my house; for I have dismissed my servants, sold my furniture, and sent what things I cared to retain over the frontier to my new habitation, whither I shall soon follow; and this house too, I shall sell. I have already two or three gudgeons nibbling, Monsieur.”
“This house must have been the hotel of some distinguished family, Baron; it is nobly proportioned,” said David Arden.
As his eye became accustomed to the gloom, David Arden saw traces of gilding on the walls. The shattered frames on which the tapestry was stretched in old times remained in the panels, with crops of small, rusty nails visible. The faint candle-light glimmered on a ponderous gilded cornice, which had also sustained violence. The floor was bare, with a great deal of litter, and some scanty furniture. There was a lathe near the spot where David Arden stood, and shavings and splinters under his feet. There was a great block with a vice attached. In a portion of the fire-place was built a furnace. There were pincers and other instruments lying about the room, which had more the appearance of an untidy workshop than of a study, and seemed a suitable enough abode for the uncouth figure that confronted him.
“Ha! Monsieur,” growls the baron, “stone walls have ears, you say if only they had tongues; what tales these could tell! This house was one of Madame du Barry's, and was sacked in the great Revolution. The mirrors were let into the plaster in the walls. In some of the rooms there are large fragments still stuck in the wall so fast, you would need a hammer and chisel to dislodge and break them up. This room was an ante-room, and admitted to the lady's bed-room by two doors, this and that. The panels of that other, by which you entered from the stair, were of mirror. They were quite smashed. The furniture, I suppose, flew out of the window; everything was broken up in small bits, and torn to rags, or carried off to the broker after the first fury, and sansculotte families came in and took possession of the wrecked apartments. You will say then, what was left? The bricks, the stones, hardly the plaster on the walls. Yet, Monsieur Arden, I have discovered some of the best treasures the house contained, and they are at present in this room. Are you a collector, Monsieur Arden?”
Uncle David disclaimed the honourable imputation. He was thinking of cutting all this short, and bringing the baron to the point. The old man was at the period when the egotism of age asserts itself, and was garrulous, and being, perhaps, despotic and fierce (he looked both), he might easily take fire and become impracticable. Therefore, on second thoughts, he was cautious.
“You can now see more plainly,” said the baron. “Will you approach? Concealed by a double covering of strong paper pasted over it, and painted and gilded, each of these two doors on its six panels contains six distinct master-pieces of Watteau's. I have known that for ten years, and have postponed removing them. Twelve Watteaus, as fine as any in the world! I would not trust their removal to any other hand, and so, the panel comes out without a shake. Come here, Monsieur, if you please. This candle affords a light sufficient to see, at least, some of the beauties of these incomparable works.”
“Thanks, Baron, a glance will suffice, for I am nothing of an artist.”
He approached. It was true that his sight had grown accustomed to the obscurity, for he could now see the baron's features much more distinctly. His large waxen face was shorn smooth, except on the upper lip, where a short moustache still bristled; short black eyebrows contrasted also with the bald massive forehead, and round the eyes was a complication of mean and cunning wrinkles. Some peculiar lines between these contracted brows gave a character of ferocity to this forbidding and sensual face.