"That's encouraging; thank you. Suppose I take your advice, and draw stakes?" said Varbarriere.
"You have no notion," said Mr. Rumsey, resignedly.
"Well, I believe you're right, monsieur; and I believe I am right too; and if you have any faith in your favourite oracles, so must you; but, have you done your cigar? Well, take your pen for a moment and listen to me, and note what I say. When Deverell came down with his title-deeds to Marlowe, they gave him the Window dressing-room for his bed-room, and the green chamber, with the bed taken down, for his dressing-room; and there he placed his papers, with the key turned in the door. In the morning his attorney came. It was a meeting about a settlement of the mortgage; and when the papers were overhauled it was found that that deed had been abstracted. Very good. Now listen to what I have to relate concerning the peculiar construction of that room."
So Monsieur Varbarriere proceeded to relate minutely all he had ascertained that day, much to the quiet edification of Mr. Rumsey, whose eyes brightened, and whose frontal wrinkles deepened as he listened.
"I told you I suspected some legerdemain about that room long ago; the idea came to me oddly. When on a visit to the Marquis de Mirault he told me that in making alterations in the chateau they had discovered a false door into one of the bed-rooms. The tradition of this contrivance, which was singularly artful, was lost. It is possible that the secret of it perished with its first possessor. By means of this door the apartment in question was placed in almost immediate conjunction with another, which, except through this admirably concealed door, could not be reached from it without a long circuit. The proximity of the rooms, in fact, had been, by reason of the craft with which they were apparently separated, entirely overlooked."
The attorney observed, sadly—
"The French are an ingenious people."
"The curiosity of my friend was excited," continued Varbarriere, "and with some little search among family records he found that this room, which was constructed in the way of an addition to the chateau, had been built about the beginning of the eighteenth century, during the marquisate of one of the line, who was celebrated as un homme à bonnes fortunes, you understand, and its object was now quite palpable."
"A man, no doubt, of ability—a long-headed gentleman," mused the melancholy attorney.
"Well, at Marlowe I saw a collection of elevations of the green chamber, as it is called, built only two or three years later—and, mind this, by the same architect, an Italian, called Paulo Abruzzi, a remarkable name, which I perfectly remembered as having been mentioned by my friend the Marquis as the architect of his ancestral relic of Cupid's legerdemain. But here is the most remarkable circumstance, and to which my friend Sir Jekyl quite innocently gave its proper point. The room under this chamber, and, of course, in the same building, was decorated with portraits painted in the panel, and one of them was this identical Marquis de Mirault, with the date 1711, and the Baronet was good enough to tell me that he had been a very intimate friend, and had visited his grandfather, at Marlowe."