The old General's eyes were fixed on the ground, as he leaned with his hand upon the basement of a shattered monument.
Under a narrow, arched doorway, surmounted by one of those demoniacal grotesques in which the cynical and ghastly fancy of old Gothic carving delights, I saw very gladly the beautiful face and figure of Carmilla enter the shadowy chapel.
I was just about to rise and speak, and nodded smiling, in answer to her peculiarly engaging smile; when with a cry, the old man by my side caught up the woodman's hatchet, and started forward. On seeing him a brutalised change came over her features. It was an instantaneous and horrible transformation, as she made a crouching step backwards. Before I could utter a scream, he struck at her with all his force, but she dived under his blow, and unscathed, caught him in her tiny grasp by the wrist. He struggled for a moment to release his arm, but his hand opened, the axe fell to the ground, and the girl was gone.
He staggered against the wall. His grey hair stood upon his head, and a moisture shone over his face, as if he were at the point of death.
The frightful scene had passed in a moment. The first thing I recollect after, is Madame standing before me, and impatiently repeating again and again, the question, "Where is Mademoiselle Carmilla?"
I answered at length, "I don't know—I can't tell—she went there," and I pointed to the door through which Madame had just entered; "only a minute or two since."
"But I have been standing there, in the passage, ever since Mademoiselle Carmilla entered; and she did not return."
She then began to call "Carmilla," through every door and passage and from the windows, but no answer came.
"She called herself Carmilla?" asked the General, still agitated.
"Carmilla, yes," I answered.