CHAPTER XIV.
ABOUT A CERTAIN GARDEN AND A DAMSEL—AND ALSO CONCERNING A LETTER AND A RED LEATHERN BOX.
Several days passed smoothly away—Lord Aspenly was a perfect paragon of politeness; but although his manner invariably assumed a peculiar tenderness whenever he approached Miss Ashwoode, yet that young lady remained in happy ignorance of his real intentions. She saw before her a grotesque old fop, who might without any extraordinary parental precocity have very easily been her grandfather, and in his airs and graces, his rappee and his rouge (for his lordship condescended to borrow a few attractions from art), and in the thousand-and-one et ceteras of foppery which were accumulated, with great exactitude and precision, on and about his little person, she beheld nothing more than so many indications of obstinate and inveterate celibacy, and, of course, interpreted the exquisite attentions which were meant to enchain her young heart, merely as so much of that formal target practice in love's archery, in which gallant single gentlemen of seventy, or thereabout, will sometimes indulge themselves. Emily Copland, however, at a glance, saw and understood the nature of Lord Aspenly's attentions, and she saw just as clearly the intended parts and the real position of the other actors in this somewhat ill-assorted drama, and thereupon she took counsel with herself, like a wise damsel, and arrived at the conclusion, that with some little management she might, very possibly, play her own cards to advantage among them.
We must here, however, glance for a few minutes at some of the subordinate agents in our narrative, whose interposition, nevertheless, deeply, as well as permanently, affected the destinies of more important personages.
It was the habit of the beautiful Mistress Betsy Carey, every morning, weather permitting, to enjoy a ramble in the grounds of Morley Court; and as chance (of course it was chance) would have it, this early ramble invariably led her through several quiet fields, and over a stile, into a prettily-situated, but neglected flower-garden, which was now, however, undergoing a thorough reform, according to the Dutch taste, under the presiding inspiration of Tobias Potts. Now Tobias Potts was a widower, having been in the course of his life twice disencumbered. The last Mrs. Potts had disappeared some five winters since, and Tobias was now well stricken in years; he possessed the eyes of an owl, and the complexion of a turkey-cock, and was, moreover, extremely hard of hearing, and, withal, a man of few words; he was, however, hale, upright, and burly—perfectly sound in wind and limb, and free from vice and children—had a snug domicile, consisting of two rooms and a loft, enjoyed a comfortable salary, and had, it was confidently rumoured, put by a good round sum of money somewhere or other. It therefore struck Mrs. Carey very forcibly, that to be Mrs. Potts was a position worth attaining; and accordingly, without incurring any suspicion—for the young women generally regarded Potts with awe, and the young men with contempt—she began, according to the expressive phrase in such case made and provided, to set her cap at Tobias.
In this, his usual haunt, she discovered the object of her search, busily employed in superintending the construction of a terrace walk, and issuing his orders with the brevity, decision, and clearness of a consummate gardener.
"Good-morning, Mr. Potts," said the charming Betsy. Mr. Potts did not hear. "Good-morning, Mr. Potts," repeated the damsel, raising her voice to a scream.
Tobias touched his hat with a gruff acknowledgment.
"Well, but how beautiful you are doing it," shouted the handmaid again, gazing rapturously upon the red earthen rampart, in which none but the eye of an artist could have detected the rudiments of a terrace, "it's wonderful neat, all must allow, and indeed it puzzles my head to think how you can think of it all; it is now, raly elegant, so it is."