The little lover, absorbed in such tranquilizing reflections, arrived at the house, and entered the drawing-room. It was not unoccupied; seated by a spinet, and with a sheet of music-paper in her lap, and a pencil in her hand, was the fair Emily Copland. As he entered, she raised her eyes, started a little, became gracefully confused, and then, with her archest smile, exclaimed,—
"What shall I say, my lord? You have detected me. I have neither defence nor palliation to offer; you have fairly caught me. Here am I engaged in perhaps the most presumptuous task that ever silly maiden undertook—I am wedding your beautiful verses to most unworthy music of my own. After all, there is nothing like a simple ballad. Such exquisite lines as these inspire music of themselves. Would that Henry Purcell had had but a peep at them! To what might they not have prompted such a genius—to what, indeed?"
So sublime was the flight of fancy suggested by this interrogatory, that Miss Copland shook her head slowly in poetic rapture, and gazed fondly for some seconds upon the carpet, apparently unconscious of Lord Aspenly's presence.
"She is a fine creature," half murmured he, with an emphasis upon the identity which implied a contrast not very favourable to Mary—"and—and very pretty—nay, she looks almost beautiful, and so—so lively—so much vivacity. Never was poor poet so much flattered," continued his lordship, approaching, as he spoke, and raising his voice, but not above its most mellifluous pitch; "to have his verses read by such eyes, to have them chanted by such a minstrel, were honour too high for the noblest bards of the noblest days of poetry: for me it is a happiness almost too great; yet, if the request be not a presumptuous one, may I, in all humility, pray that you will favour me with the music to which you have coupled my most undeserving—my most favoured lines?"
The young lady looked modest, glanced coyly at the paper which lay in her lap, looked modest once more, and then arch again, and at length, with rather a fluttered air, she threw her hands over the keys of the instrument, and to a tune, of which we say enough when we state that it was in no way unworthy of the words, she sang, rather better than young ladies usually do, the following exquisite stanzas from his lordship's pen:—
"Tho' Chloe slight me when I woo,
And scorn the love of poor Philander;
The shepherd's heart she scorns is true,
His heart is true, his passion tender.
"But poor Philander sighs in vain,