The Purcell Papers — Volume 2

by Joseph Sheridan Le Fanu

One LAST shriek, so long and piercing and agonised as to be scarcely human, swelled from the room, and suddenly there followed a death-like silence.

A light step was heard crossing the floor, as if from the bed to the window; and almost at the same instant the door gave way, and, yielding to the pressure of the external applicants, they were nearly precipitated into the room. It was empty. The window was open, and Schalken sprang to a chair and gazed out upon the street and canal below. He saw no form, but he beheld, or thought he beheld, the waters of the broad canal beneath settling ring after ring in heavy circular ripples, as if a moment before disturbed by the immersion of some large and heavy mass.

No trace of Rose was ever after discovered, nor was anything certain respecting her mysterious wooer detected or even suspected; no clue whereby to trace the intricacies of the labyrinth and to arrive at a distinct conclusion was to be found. But an incident occurred, which, though it will not be received by our rational readers as at all approaching to evidence upon the matter, nevertheless produced a strong and a lasting impression upon the mind of Schalken.

Many years after the events which we have detailed, Schalken, then remotely situated, received an intimation of his father's death, and of his intended burial upon a fixed day in the church of Rotterdam. It was necessary that a very considerable journey should be performed by the funeral procession, which, as it will readily be believed, was not very numerously attended. Schalken with difficulty arrived in Rotterdam late in the day upon which the funeral was appointed to take place. The procession had not then arrived. Evening closed in, and still it did not appear.

Schalken strolled down to the church—he found it open—notice of the arrival of the funeral had been given, and the vault in which the body was to be laid had been opened. The official who corresponds to our sexton, on seeing a well-dressed gentleman, whose object was to attend the expected funeral, pacing the aisle of the church, hospitably invited him to share with him the comforts of a blazing wood fire, which, as was his custom in winter time upon such occasions, he had kindled on the hearth of a chamber which communicated, by a flight of steps, with the vault below.

In this chamber Schalken and his entertainer seated themselves, and the sexton, after some fruitless attempts to engage his guest in conversation, was obliged to apply himself to his tobacco-pipe and can to solace his solitude.

In spite of his grief and cares, the fatigues of a rapid journey of nearly forty hours gradually overcame the mind and body of Godfrey Schalken, and he sank into a deep sleep, from which he was awakened by some one shaking him gently by the shoulder. He first thought that the old sexton had called him, but HE was no longer in the room.

He roused himself, and as soon as he could clearly see what was around him, he perceived a female form, clothed in a kind of light robe of muslin, part of which was so disposed as to act as a veil, and in her hand she carried a lamp. She was moving rather away from him, and towards the flight of steps which conducted towards the vaults.

Schalken felt a vague alarm at the sight of this figure, and at the same time an irresistible impulse to follow its guidance. He followed it towards the vaults, but when it reached the head of the stairs, he paused; the figure paused also, and, turning gently round, displayed, by the light of the lamp it carried, the face and features of his first love, Rose Velderkaust. There was nothing horrible, or even sad, in the countenance. On the contrary, it wore the same arch smile which used to enchant the artist long before in his happy days.

A feeling of awe and of interest, too intense to be resisted, prompted him to follow the spectre, if spectre it were. She descended the stairs—he followed; and, turning to the left, through a narrow passage, she led him, to his infinite surprise, into what appeared to be an oldfashioned Dutch apartment, such as the pictures of Gerard Douw have served to immortalise.