“Quite. Oh! yes, quite darling—very well.”
“But, Oh, Ry, you look so tired. You’re not ill, are you, darling?”
“Not ill, only tired. Nothing, not much, tired and stupid, want of rest.”
“You must have some wine, you look so very ill.”
“Well, yes, I’m tired. Thanks, Mildred, that will do,” and he drank the glass of sherry she gave him.
“A drop more?” inquired old Mildred, holding the decanter stooped over his glass.
“No, thanks, no, I—it tastes oddly—or perhaps I’m not quite well after all.”
Charles now felt his mind clear again, and his retrospect was uncrossed by those spectral illusions of the memory that seem to threaten the brain with subjugation.
Better the finger of death than of madness should touch his brain, perhaps. His love for his wife, not dethroned, only in abeyance, was restored. Such dialogues as theirs are little interesting to any but the interlocutors.
With their fear and pain, agitated, troubled, there is love in their words. Those words, then, though in him, troubled with inward upbraidings, in her with secret fears and cares, are precious. There may not be many more between them.