"But what has he done?" I asked.
"I can't tell you—I can't tell you how cruelly he has wounded me," he answered. "I have told you in substance all I know, when I say he is a villain."
"I do believe, Mr. Carmel, your mission on earth is to mortify my curiosity. You won't tell me anything of any one I'm the least curious to hear about."
"He is a person I hate to talk of, or even to think of. He is a villain—he is incorrigible—and, happen what may, a villain, I think, he will be to the end."
I was obliged to be satisfied with this, for I had learned that it was a mere waste of time trying to extract from Mr. Carmel any secret which he chose to keep.
Here, then, in the old scenes, our quiet life began for awhile once more. I did not see more of Mr. Carmel now than formerly, and there continued the slightly altered tone, in talk and manner, which had secretly so sorely vexed me in town, and which at times I almost ascribed to my fancy.
Mr. Carmel's stay at Malory was desultory, too, as before; he was often absent for two or three days together. During one of these short absences, there occurred a very trifling incident, which, however, I must mention.
The castle of Cardyllion is a vast ruin, a military fortress of the feudal times, built on a great scale, and with prodigious strength. Its ponderous walls and towers are covered thick with ivy. It is so vast that the few visitors who are to be found there when the summer is over, hardly disquiet its wide solitudes and its silence. For a time I induced Miss Pounden to come down there nearly every afternoon, and we used to bring our novels, and she, sometimes her work; and we sat in the old castle, feeling, in the quiet autumn, as if we had it all to ourselves. The inner court is nearly two hundred feet square, and, ascending a circular stair in the angle next the great gate, you find yourself at the end of a very dark stone-floored corridor, running the entire length of the building. This long passage is lighted at intervals by narrow loop-holes placed at the left; and in the wall to the right, after having passed several doors, you come, about mid-way, to one admitting to the chapel. It is a small stone-floored chamber, with a lofty groined roof, very gracefully proportioned; a tall stone-shafted window admits a scanty light from the east, over the site of the dismantled altar; deep shadow prevails everywhere else in this pretty chapel, which is so dark in most parts that, in order to read or work, one must get directly under the streak of light that enters through the window, necessarily so narrow as not to compromise the jealous rules of mediæval fortification. A small arch, at each side of the door, opens a view of this chamber from two small rooms, or galleries, reached by steps from this corridor.
We had placed our camp-stools nearly under this window, and were both reading; when I raised my eyes they encountered those of a very remarkable-looking old man, whom I instantly recognised, with a start. It was the man whom we used, long ago, to call the Knight of the Black Castle. His well-formed, bronzed face and features were little changed, except for those lines that time deepens or produces. His dark, fierce eyes were not dimmed by the years that had passed, but his long black hair, which was uncovered, as tall men in those low passages were obliged to remove their hats, was streaked now with grey. This stern old man was gazing fixedly on me, from the arch beside the door, to my left, as I looked at him, and he did not remove his eyes as mine met his. Sullen, gloomy, stern was the face that remained inflexibly fixed in the deep shadow which enhanced its pallor. I turned with an effort to my companion, and said:
"Suppose we come out, and take a turn in the grounds."