Willing to Die: A Novel

by Joseph Sheridan Le Fanu

Our scanty furniture was collected at the upper end of the apartment, which was covered with a piece of carpet, and shut off from the lower part of the room by a folding screen. Some kind friend had placed flowers in a glass on the table, and three pretty plants in full blow upon the window-stones. Some books from a circulating library were on the table, and some volumes also of engravings. These little signs of care and refinement took off something of the gaunt and desolate character which would have, otherwise, made this habitation terrifying.

A rich man, with such a house in the country, might have made it curiously beautiful; but where it was, tenanted by paupers, and condemned to early demolition, who was to trouble his head about it?

Mamma had been better in the morning, but was now suffering, again, from a violent palpitation, and was sitting up in her bed; it was her own bed, which had been removed for her use. Rebecca Torkill, who had been for some hours managing everything to receive her, was now in her room. I was in our "drawing-room," I suppose I am to call it, quite alone. My elbows rested on the table, my hands were over my eyes, and I was crying vehemently. These were tears neither of cowardice nor of sorrow. They were tears of rage. I was one of those impracticable and defiant spirits who, standing more in need than any other of the chastisements of Heaven, resent its discipline as an outrage, and upbraid its justice with impious fury. I dried my eyes fiercely. I looked round our strange room with a bitter smile. Black oak floor, black oak panelling up to the ceiling; as evening darkened how melancholy this grew!

I looked out of the window. The ruddy sky of evening was fading into grey. A grass-grown brick wall, as old as the house perhaps, and springing from the two piers, enclosed the space once occupied by the street in which it had stood. Nothing now remained of the other houses but high piles of rubbish, broken bricks, and plaster, through which, now and then, a black spar or plank of worn wood was visible in this dismal enclosure; beyond these hillocks of ruin, and the jagged and worn brick wall, were visible the roofs with slates no bigger than oyster-shells, and the clumsy old chimneys of poverty-stricken dwellings, existing on sufferance, and sure to fall before long beneath the pick and crowbar; beyond these melancholy objects spread the expiring glow of sunset with a veil of smoke before it.

As I looked back upon this sombre room, and then out upon the still more gloomy and ruinous prospect, with a feeling of disgust and fear, and the intolerable consciousness that we were here under the coercion of actual poverty, you may fancy what my ruminations were. I don't know whether, in my family, there was a vein of that hereditary melancholy called suicidal. I know I felt, just then, its horrible promptings. Like the invitations of the Erl-king in Goethe's ballad, it "whispered low in mine ear." There is nothing so startling as the first real allurement to this tremendous step. There remains a sense of an actual communication at which mind and soul tremble. I felt it once afterwards.

Its insidiousness and power are felt on starting from the dream, and finding oneself, as I did, alone, with silence and darkness and frightful thoughts. I think that, but for mamma, it would have been irresistible. The sudden exertion of my will, and in spite of my impious mood, I am sure, an inward cry to God for help, scared away the brood that had gathered about me with their soft monotonous seduction. Have you ever experienced the same thing? The temptation breaks from you like a murmur changed to a laugh, and leaves you horrified. I hated life; my energies were dead already. Why should I drag on, with broken heart, in solitude and degradation?

Some pitying angel kept me in remembrance of mamma, sick, helpless, so long and entirely in the habit of leaning upon others for counsel and for action. When sickness follows poverty, fate has little left to inflict. One good thing in our present habitation was the fact of its being as completely out of sight as the inmost cavern of the catacombs. That was consolatory. I felt, at first, as if I never should wish to see the light again. But every expression of life is strong in the young; energy, health, spirits, hope.

The dread of this great downfall began to subside, and I could see a little before me; my head grew clearer, and was already full of plans for earning my bread. That, I dare say, would have been easy enough, if I could have made up my mind to leave mamma, or if she could have consented to part with me. But there were many things I could do at home. Mamma was sometimes better, but her spirits never rallied. She cried almost incessantly; I think she was heart-broken. If she could have given me some of her gentleness, and if I could have inspired her with some of my courage, we should have done better.

The day after our arrival, as I looked out of the window listlessly, I saw a van drive between the piers. Two men were on the driver's seat. They stopped before they had got very far. It was difficult navigation among the promontories and islands of rubbish. The driver turned a disgusted look up towards our windows, and made some remark to his companion. They got down and led the horses with circumspection, and with many turns and windings up to the door, and then began to speak to our servant; but, at this interesting moment, I was summoned by Rebecca Torkill to mamma's room, where I forgot all about the van.

But, on returning a few minutes later, I found a piano in our drawing-room. Our rustic maid had not heard or even asked from whom it came; and when a tuner arrived an hour later, I found that nothing could prevail on him to disclose the name of the person or place from which it had come. It had not any indication but the maker's name and that was no guide.