On a cabinet near to where she stood was a casket of ormolu, which she unlocked, and took out a miniature, opened, and looked at it for a long time. I knew very well whose it was, and watched her countenance; for, as I have said, she interested me strangely. I suppose she knew I was looking at her; but she showed always a queenlike indifference about what people might think or observe. There was no sentimental softening; but her gaze was such as I once saw the same proud and handsome face turn upon the dead—pale, exquisite, perhaps a little stern. What she read there—what procession of thoughts and images passed by—threw neither light nor shadow on her face. Its apathy interested me inscrutably.
At last she placed the picture in my hand, and asked—
'Is this really very like her?'
'It is, and it is not,' I said, after a little pause. 'The features are true: it is what I call an accurate portrait, but that is all. I dare say, exact as it is, it would give to one who had not seen her a false, as it must an inadequate, idea, of the original. There was something naïve and spirituel, and very tender in her face, which he has not caught—perhaps it could hardly be fixed in colours.'
'Yes, I always heard her expression and intelligence were very beautiful.
It was the beauty of mobility—true beauty.'
'There is a beauty of another stamp, equally exquisite, Miss Brandon, and perhaps more overpowering.' I said this in nearly a whisper, and in a very marked way, almost tender, and the next moment was amazed at my own audacity. She looked on me for a second or two, with her dark drowsy glance, and then it returned to the picture, which was again in her hand. There was a total want of interest in the careless sort of surprise she vouchsafed my little sally; neither was there the slightest resentment. If a wafer had been stuck upon my forehead, and she had observed it, there might have been just that look and no more. I was ridiculously annoyed with myself. I was betrayed, I don't know how, into this little venture, and it was a flat failure. The position of a shy man, who has just made an unintelligible joke at a dinner-table, was not more pregnant with self-reproach and embarrassment.
Upon my honour, I don't think there was anything of the roué in me. I own I did feel towards this lady, who either was, or seemed to me, so singular, a mysterious interest just beginning—of that peculiar kind which becomes at last terribly absorbing.
I was more elated by her trifling notice of me than I can quite account for. It was a distinction. She was so indescribably handsome—so passively disdainful. I think if she had listened to me with even the faintest intimation of caring whether I spoke in this tone or not, with even a flash of momentary resentment, I might have rushed into a most reprehensible and ridiculous rigmarole.
In this, the subtlest and most perilous of all intoxications, it needs immense presence of mind to conduct ourselves always with decorum. But she was looking, just as before, at the miniature, as it seemed to me, in fancy infusing some of the spirit I had described into the artist's record, and she said, only in soliloquy, as it were, 'Yes, I see—I think I see.'
So there was a pause; and then she said, without, however, removing her eyes from the miniature, 'You are, I believe, Mr. De Cresseron, a very old friend of Mr. Wylder's. Is it not so?'