XXVII.—QUEEN ELIZABETH AT KENELWORTH.
Her majesty came thither on Saturday the ninth of July, 1575; [71] she was met near the castle by a fictitious Sibyl, who promised peace and prosperity to the country during her reign. Over the first gate of the castle there stood six gigantic figures with trumpets, real trumpeters being stationed behind them, who sounded as the queen approached. This pageant was childish enough, but not more so than the reason for its being placed there. "By this dumb show," says my author, "it was meant that in the daies of king Arthur, men were of that stature; so that the castle of Kenelworth should seem still to be kept by king Arthur's heirs and their servants." Laneham says these figures were eight feet high. Upon her majesty entering the gateway, the porter, in the character of Hercules, made an oration, and presented to her the keys. Being come into the base court, a lady "came all over the pool, being so conveyed, that it seemed she had gone upon the water; she was attended by two water nymphs, and calling herself the Lady of the Lake, she addressed her majesty with a speech prepared for the purpose." The queen then proceeded to the inner court, and passed the bridge, which was railled on both sides, and the tops of the posts were adorned with "sundry presents and gifts," as of wine, corn, fruits, fishes, fowls, instruments of music, and weapons of war. Laneham calls the adorned posts "well-proportioned pillars turned:" he tells us there were fourteen of them, seven on each side of the bridge; on the first pair were birds of various kinds alive in cages, said to be the presents of the god Silvanus; on the next pair were different sorts of fruits in silver bowls, the gift of the goddess Pomona; on the third pair were different kinds of grain in silver bowls, the gift of Ceres; on the fourth, in silvered pots, were red and white wine with clusters of grapes in a silver bowl, the gift of Bacchus; on the fifth were fishes of various kinds in trays, the donation of Neptune; on the sixth were weapons of war, the gift of Mars; and on the seventh, various musical instruments, the presents of Apollo. The meaning of these emblematical decorations was explained in a Latin speech delivered by the author of it. Then an excellent band of music began to play as her majesty entered the inner court, where she alighted from her horse, and went up stairs to the apartments prepared for her.
On Sunday evening she was entertained with a grand display of fireworks, as well in the air as upon the water.
On Monday, after a great hunting, she was met on her return by Gascoigne the poet, so disguised as to represent a savage man, who paid her many high-flown compliments in a kind of dialogue between himself and an echo.
On Tuesday she was diverted with music, dancing, and an interlude upon the water.
On Wednesday was another grand hunting.
On Thursday she was amused with a grand bear-beating, to which were added tumbling and fireworks. Bear-beating and bull-baiting were fashionable at this period, and considered as proper pastimes for the amusement of ladies of the highest rank. Elizabeth, though a woman, possessed a masculine mind, and preferred, or affected to prefer, the exercises of the chace and other recreations pursued by men, rather than those usually appropriated to her sex.
On Friday, the weather being unfavourable, there were no open shows.
On Saturday there was dancing within the castle, and a country brideale, with running at the quintain in the castle yard, and a pantomimical show called "the Old Coventry Play of Hock Thursday," performed by persons who came from Coventry for that purpose. In the evening a regular play was acted, succeeded by a banquet and a masque.
On the Sunday there was no public spectacle.