The degrees of blackness are the number of absorptive units required to reduce the standard white to equal the pigments in each case.

Light Absorbed by Various Pigments.

No. Absorbed
Light.
Unabsorbed
Light.
Initial
Light.
1Black Hole in Box36 36
2Optical Black20 16 36
3Lamp Black17 19 36
4Vegetable Black A17 19 36
5Vegetable Black B14 22 36
6Vegetable Black C15 21 36
7Indian Ink on Paper14 22 36
8Indian Ink Solid12 24 36
9Boot Black11 25 36
10Black Lead92736

This gives a working scale of colourless light intensities, the terminals being black and white, with a range of 36 units.

The Standard White.—White is the natural terminal of the luminous end of the scale, and it is necessary to select a physical objective white as a constant. Pure precipitated lime sulphate has been adopted, and departures from the light intensity of this are recorded in units of lessened light intensity throughout the scale, comprising all degrees of colourless whites, greys, and blacks.

Strictly speaking, white is a qualitative term only, until the degree of variation from the zero of the scale has been established. The measured variation then takes its position in the scale of luminous intensities according to its numerical unit value.

Light Absorbed by Various White and Grey Pigments.

No.Pigments.Absorbed
Light.
Reflected
Light.
Initial
Light.
11 Grey Paint E 6·030·0 36
12 Grey Paint D 5·0 31·0 36
13 Grey Paint C 4·032·0 36
14 Grey Paint B 2·034·0 36
15 White Paint A 0·7 35·3 36
16 White Paper D 0·3 35·7 36
17 White Paper C0·2 35·8 36
18 White Paper B 0·25 35·75 36
19 White Paper A 0·15 35·85 36
20 Chinese White 0·006 35·994 36

As the scale is differentiated into hundredths of a unit, there can be 100 variations of white pigments in a single unit, each quite easily distinguishable from the others.