Fiesole, 312.—Journey to Siena, 312.—Siena, 313.—Gutturals, 313.—Piazza, 313.—Cathedral of Siena, 313.—Hospital, 315.—Church of San Domenico, 315.—History of Siena, 315.—Neighbourhood of Siena, 315.—Ventriloquist, 316.—Radicofani, 317.—Acquapendente, 317.—Lake of Bolsena, 318.—Bolsena, 318.—Monte Fiascone, 319.—Orvieto, 319.—Cathedral, 319.—Bishop’s palace, 321.—Church of San Michele, 322.—Church of San Domenico, 322.—Church of San Lorenzo, 322.—Well of Sangallo, 322. Palazzo Soliana, 322.—Pal. Gualtieri, 322.—Bollicame, 322.—Viterbo, 323.—Cathedral, 323.—Church of the Trinità, 323.—S. Francesco, 323.—Monte Cimino, 323.—Lake of Vico, 323.—Capraruola, 323.—Church of the Teresiane, 324.—Ronciglione, 324.—Campagna, 324.—Sutri, 324.—Amphitheatre, 325.—Subterranean church, 325.—Bridge, 325.—Baccano, 326.—Arrival at Rome, 326.
ROMAN ANTIQUITIES.
General impressions, 327.—Capitol, 327.—Palatine hill, 328.—Disposition of hills, 329.—Lodging, 330.—Steps of the Trinità, 330.—Forum, 330.—Capitoline hill, 331.—Tabularium, 331.—Temple of Jupiter Tonans, 331.—Richness of detail in Roman architecture, 332.—Temple of Concord, 332.—Arch of Septimius Severus, 333.—Mamertine prisons, 333.—Column of Phocas, 334.—Temple of Saturn, 334.—Temple of Antoninus and Faustina, 334.—Temple of Romulus and Remus, 335.—Jupiter Stator, 335.—Form of shaft of the columns, 337.—Effect of slight variations, 337.—Temple of Peace, 338.—Progress of architecture in Rome, 338.—Arch of Titus, 340.—Temple of Venus and Rome, 341.—Coliseum, 341.—Arch of Constantine, 342.—Baths of Titus, 342.—Vivarium, 344.—Baths of Livia, 345.—Palace of the Cæsars, 345.
ROMAN ANTIQUITIES.
Temple of Romulus, 346.—Forum Boarium, 346.—Arch of Janus, 347.—Arch of the goldsmiths, 347.—Cloaca maxima, 347.—Temple of Patrician Modesty, 348.—Temple of Vesta, 348.—Foliage of the Corinthian capital, 349.—Greek and Roman styles of ornament, 349.—Temple of Fortuna Virilis, 350.—House of Rienzi, 350.—Pons Palatinus, 350.—Temples of Filial Piety, &c. 350.—Theatre of Marcellus, 351.—Theatre of Pompey, 351.—Portico of Octavia, 351.—Baths of Agrippa, 351.—Pantheon, 352.—Use of bricks, 353.—Use of discharging arches, 353.—Pyramidal form in buildings, 354.—Coffers on domes, 357.—Basilica of Antoninus, 359.
ST. PETER’S.
History of the building, 361.—Model, 362.—Expense, 365.—Cracks, 366.—Sacristy, 367.—Cause of its want of apparent magnitude externally, 369.—Internally, 372.—Sculpture in the church, 374.—Change of design from Greek to Latin cross, 377.—Gilding, 378.—Effect of magnificence, 380.—Pietà of Michael Angelo, 380.—Monuments, 380.—Mosaic, 381.