At three the next morning we resumed our journey through a similar country as far as Frangi, but from hence till we approached Geneva, the scenery was less pleasant.

THE END.

INDEX.


J. M’Creery, Tooks Court,

Chancery-lane, London.

LIST OF THE PLATES.

VOL. I.
Shrine-work at Chartresto face p. 53, outline.
Capital at Dijon121, outline.
Church at Aynai131, engraving.
Arch at OrangeFrontispiece.
Theatre at Orange147, etching.
Monument at St. Remi159, engraving.
Steeple of San Godardo at Milan211, outline.
Window of St. Mark’s at Venice259, outline.
Temple of Jupiter Tonans at Rome331, engraving.
Model of St. Peter’s363, outline.
VOL. II.
View of the Palatine at Rome[Frontispiece.]
Ponte Salario[31, engraving.]
Temple of Rediculus[47, engraving.]
Tomb of Theodoric at Ravenna[131, engraving].
Plain of Marathon[291, engraving.]
San Niccolò della Kalsa[341, outline.]
Temples at Selinus[351, engraving.]
By a mistake of the artist, two Turkish figures have been here introduced, and the engraver neglected to comply with the author’s desire that they should be omitted.
Doorway at Monreale[354, outline.]
The figures on the capitals were not drawn on the spot, the author having merely made a memorandum of their general disposition. They have therefore been copied from those of other buildings, in order not to leave a disagreeable blank in the drawing.
Cyclopean wall at Cefalù[356, outline.]
Church of San Michele at Lucca[411, outline.]
Arch of Augustus at Susa[427, engraving.]

Footnotes