Grotto of Pausilippo, 192.—Pozzuoli, 193.—Temple of Jupiter Serapis, 193.—Temple of Neptune, 196.—Amphitheatre, 197.—Solfatara, 197.—Lake of Agnano, 198.—Grotto del Cane, 198.—Villa of Cicero, 199.—Monte nuovo, 199.—Arco Felice, 199.—Cuma, 199.—Amphitheatre, 199.—Lake of Acheron, 199.—Stufe of Tritola, 200.—Baths of Nero, 200.—Lucrine Lake, 200.—Lake of Avernus, 200.—Bridge of Caligula, 201.—Bases of columns in the sea, 201.—Campanian way, 201.—La Mergellina, 202.—Santa Maria del parto, 202.—Hill of Pausilippo, 202.—Tomb of Virgil, 202.—Excursion to Baiæ, 203.—School of Virgil, 203.—Capo Miseno, 204.—Dragonara, 204.—Elysian fields, 204.—Piscina mirabile, 204.—Cento camarelle, 204.—Tomb of Agrippina, 204.—Temple of Hercules, 204.—Temple of Venus genitrix, 205.—Temple of Mercury, 205.—Temple of Diana, 205.—Ruins at Baiæ, 205.—Camaldoli, 206.—Excursion to Pompei, 207.—Herculaneum, 208.—Torre del Greco, 208.—Torre dell’ Annunziata, 208.—Pompei, 208.—Ponte della Maddelena, 209.—Old Capua, 209.—Caserta, 210.

[LETTER XLV.]

JOURNEY TO ATHENS.

Journey to Bari, 211.—Robbers taken into service, 212.—Foggia, 214.—Bari, 214.—Cathedral, 215.—Church of San Nicola, 215.—Norman church at Bari, 215.—Residence at Bari, 216.—Journey to Otranto, 216.—Lecce, 218.—Style of architecture, 218.—Otranto, 219.—Olive trees, 219.—Voyage to Corfu, 220.—Modern Greek buildings, 220.—Greek dress, 220.—Soil of Corfu, 221.—Journey to Santa Maura, 222.—Agioneesi, 222.—Santa Maura, 224.—Leucas, 224.—Voyage to Patras, 225.—Voyage to Vostizza, 226.—Journey to Corinth, 227.—Antiquities at Corinth, 228.—Voyage to Athens, 228.

[LETTER XLVI.]

ATHENS.

Greek apartments, and mode of life, 229.—Topography, 230.—Ilissus, 231.—Cephisus, 231.—Nature of rock, 232.—Effect of first-rate productions, 232.—Review of objects in journey, 233.—Arrival at Athens, 234.—Monument of Lysicrates, 234.—Tower of the winds, 234.—Portico of the market, 234.—Stoa, 234.—Gymnasium, 234.—Temple of Theseus, 234.—Situations of buildings, 235.—Greek temples, 235.—Tiles, 237.—External painting, 237.—Comparison of Greek and Roman ornaments, 239.

[LETTER XLVII.]

ACROPOLIS.

Propylæa, 241.—Temple of Victory without wings, 241.—Very ancient constructions, 246.—Mode of finishing, 246.—Parthenon, 246.—Situation of religious buildings, 247.—Effects of explosion, 248.—Nature of quarries of Pentelic marble, 251.—Desire of obtaining fragments, 253.—Temple of Erectheus, 254.—Temple of Minerva Polias, 257.—Temple of Pandrosus, 257.